Dir. Brian Yuzna
When John Jaspers’ girlfriend is brutally murdered by a gang of thugs he loses the will to live and plans to kill himself by jumping off a bridge. Just before he jumps he is approached by the sinister "M" who offers a dubious proposition: he will enable Jaspers to wreck brutal revenge in return for the man’s soul. Jaspers accepts and is transformed into Faust, a demon-like superhero who embarks on a bloody trail of vigilante vengeance… However when “M” returns to claim Jaspers’ soul, all hell breaks loose when Faust refuses to stick to the bargain.
“I am the pornography that makes you hot!”
Based on the graphic novel by David Quinn and Tim Vigil, Faust was the first film produced by Brian Yuzna’s Spanish-based production company, Fantastic Factory. Something of an oddity, the film is, if anything, an interesting attempt to approach the super-hero movie from a slightly different angle. The notion of an avenging demon is a tantalising one akin to the likes of The Crow or Spawn; but one that never reaches its full potential.
The 'Faust: Love of the Damned' graphic novels had a reputation for containing some of the most out there sexual and horror content of anything in the graphic novel market. As the man responsible for the likes of Society, Brian Yuzna would seem the perfect candidate to helm such a potentially extreme project. Its easy to tell this was based on a comic book, some of the shots, including one of the earliest ones featuring Jaspers standing on the bridge in Faust form, are obviously going for the ‘iconic’ look, however rather than continue with this approach, Yuzna soon opts to just load the film with soft-core nudity and weird S&M imagery depicting the pleasures of the damned.
Indeed, while a bizarre Clive Barker-esque S&M saturated palette ‘dominates’ the film (sorry), unlike Barker’s hellishly tortured-erotica, Faust doesn’t have the intellectual musings to accompany such disturbing sights. The result usually resembles a cheap and obvious soft-core flick. As well as copious tits’n’ass, the film is awash with blood and gore courtesy of Yuzna regular, effects master Screaming Mad George, and much of the violence sits at odds with the cartoon humour. At times Faust comes on too much like a low-rate Freddy Krueger, spouting ‘witticisms’ while dispatching victims. One particularly baffling and outré moment comes when “M” grants a young woman’s wish to, erm, enhance her ‘assets’ and her breasts and buttocks swell to grotesquely monstrous size, briefly recalling some of the queasy sights from Yuzna’s much better Society.
The tone is all over the place. Faust is at times depicted as a ruthless, unstoppable killer, and others, a tragically doomed figure. As John Jaspers/Faust, Mark Frost provides a wacky, bug-eyed performance resembling Jim Carrey on steroids. Twisting and gurning his face he boasts a limited repertoire which fails to engage or convey the depths of his tortured soul. Elsewhere stable, if rudimentary support comes from the ever-reliable Jeffery Combs as good-intentioned cop Lt. Dan Margolies, and Andrew Divoff as the devilish “M.”
The Arrow Video boxset was released on 18th April 2011. It includes Faust: Love of the Damned, Romasanta: The Werewolf Hunt, Beyond Re-Animator and Arachnid.
- Audio commentary by director Brian Yuzna
- “Director Of The Damned: Brian Yuzna, Faust And The Fantastic Factory”
- “The Pain in Spain: A History Of Horror In Hot Weather” with Angel Sala, director of the Sitges Film Festival
- Original trailer
- Double-sided fold-out poster featuring new artwork
- Collectors’ booklet “Brian Yuzna: Maestro Of Mayhem” by author and critic Calum Waddell
- Reversible sleeve featuring brand new and original artwork
- English Dolby Digital 5.1 and Spanish Dolby Digital 5.1 audio options.