Autumn XIX
"Not a word of goodbye, not even a note
She's gone with the man in the long black coat."
Bob Dylan
Book Update: FrightFest Review
The latest review of my Devil’s Advocates book on The Company of Wolves comes courtesy of the lovely folks over at FrightFest, and it’s another really positive one. According to critic Steven West, book is a ‘multi-faceted, intelligent and highly accessible study’.
I’ve copied the full review below, and you can also check it out (along with a wealth of other film related reviews, news and features) over at FrightFest…
Review
The early 80’s saw a mini-boom of werewolf movies reflecting the revolutionary advances in transformative make-up effects, which ensured that David Naughton did not have to disappear behind a conveniently placed desk while morphing into AN AMERICAN WEREWOLF IN LONDON. The John Landis movie and Joe Dante’s THE HOWLING brought a substantial degree of self-awareness and knockabout character-based humour to the sub-genre and have endured as modern horror classics. Other wolfman movies from the same period have enjoyed less latter-day attention, including Michael Wadlei…
I’ve copied the full review below, and you can also check it out (along with a wealth of other film related reviews, news and features) over at FrightFest…
Review
The early 80’s saw a mini-boom of werewolf movies reflecting the revolutionary advances in transformative make-up effects, which ensured that David Naughton did not have to disappear behind a conveniently placed desk while morphing into AN AMERICAN WEREWOLF IN LONDON. The John Landis movie and Joe Dante’s THE HOWLING brought a substantial degree of self-awareness and knockabout character-based humour to the sub-genre and have endured as modern horror classics. Other wolfman movies from the same period have enjoyed less latter-day attention, including Michael Wadlei…
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