Paracinema - Issue 6

Issue 6 of Paracinema is available to order now.

The latest installment includes insightful and original features such as 'Videodrome: The New Flesh Comes Home To Roost' by Mel Cartagena, 'The Origins Of Last House On The Left' by Chelsea Suarez and 'The Anti-Industrial Revolution And The Anti-Aesthetic Approach Of Paul Morrissey' by Matthew Whoolery.

Sound good? Click here for more details about the new issue and click here to buy it...

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Whistle and I’ll Come to You (2010)

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Dir. Andy de Emmony After placing his senile wife in a care home, retired astronomer James Parkin (John Hurt) heads for the coast to revisit their ‘old haunts’, including the now out-of-season hotel they honeymooned in. By day he is stalked along the windswept beaches by a spectral figure dressed in white, and by night he is terrorised by strange sounds and someone, or something, attempting to enter his room… In the 2000s BBC4 attempted to reignite the old Ghost Story at Christmas tradition by adapting MR James’s A View from a Hill (2005) and Number 13 (2006). This series was seemingly short lived though, as their next outing wasn’t until 2010, and an unusual reinterpretation of James’s classic chiller Oh Whistle and I’ll Come to You, My Lad . While de Emmony’s direction captures the atmosphere and tone of James very well, this film differs significantly from other adaptations, including Jonathan Miller’s supremely unsettling 1968 take . Neil Cross’s screenplay only incorpo...
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Caveat (2020)

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Isaac, a brooding drifter suffering from memory loss, agrees to look after Olga, the niece of his acquaintance Moe. A troubled woman prone to bouts of catatonia, Olga lives in an old, ramshackle house on an isolated island in the middle of a dark lake. Isaac agrees to wear a chained harness that prevents him from going into certain rooms. He gradually comes to learn of the unsettling history of the house and the unquiet dead it harbours within its walls... Written and directed by Damian McCarthy,  Caveat  is steeped in the Gothic tradition. With distinct echoes of the work of Edgar Allan Poe, it is ripe with a lingering atmosphere of morbidity and decay. McCarthy's screenplay toys with themes such as psychological rot, dark family secrets, and the aftermath of unspeakable violence and cruelty. The story unfolds within the creepy confines of the lonely, mouldy house, with myriad forbidden rooms, hidden passageways and concealed bloody secrets. The house itself is cut off from c...
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Shankill Graveyard

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While staying with my parents recently in my home town of Lurgan, County Armagh, I naturally decided to pay a visit to a few of the local graveyards. Top of my list was Shankill Graveyard. Located just outside the town centre, and surrounded by a residential area, the site upon which Shankill cemetery stands was a place of worship in earlier centuries. Shankill Parish church was originally situated here before it was eventually moved to the town centre. The outline of a double ring fort is still noticeable. Amongst those at rest in the cemetery are the Brownlow family, who established the town in 1610 when they were given land beside Lough Neagh by the British government during the Plantation. They eventually contributed to the development of the linen industry the town became famous for throughout the seventeenth century. Their family vault is situated in the centre of the cemetery where the old church once stood. Apparently well off English families such as the Brownlow’s, sough...
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