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Showing posts from 2023

Ghost Stories at Christmas

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“It always is Christmas Eve, in a ghost story.” Jerome K. Jerome, Told After Supper (1891)  The peculiar British tradition of sharing ghost stories at Christmastime is an old one. Historically, December 25th has a close link to pre-Christian solstice festivals that regarded mid-winter as a significant time when the light dies, the nights grow longer, and (similarly to Samhain) the veil between the world of the living and the dead becomes wispy. The earth sleeps, ready to reawaken in spring. Early Christian beliefs held that souls in purgatory ‘were most active on the day before a holy day, and thus more likely to intrude into our world’ (Kirk, p7, 2020). During the dark nights of Yuletide, Christmas Eve is one of the longest nights of the year in the northern hemisphere. The tradition of telling ghost stories at Christmas, particularly on Christmas Eve, dates to the Victorian period, a time of great scientific and technological advancement. Perhaps the more people came to understand

Raw (2016)

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Written and directed by Julie Ducournau, Raw tells of veterinary student Justine (Garance Marillier), who is subjected to a series of humiliating and cruel initiations by the older students. Among the degrading rituals, Justine, a lifelong vegetarian, is forced to eat raw meat by her older sister Alexia (Ella Rumpf). This act awakens within Justine an insatiable bloodlust and craving for human flesh… Raw is an unsettling, full-blooded odyssey of self-discovery and actualisation told from a fiercely feminist vantage. It stalks similar territory to titles such as Ginger Snaps and The Company of Wolves in its unwavering exploration of female sexuality (which historically has been shamed or out-rightly denied by patriarchal discourse). Indeed, there are several irresistible parallels with  Ginger Snaps , not least the complex, often toxic bond between the sisters, and the intense cravings Justine experiences as her body reacts to her new appetites. And, like the Fitzgerald sisters, Jus

Stories of High Strangeness

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UFO sightings, encounters with fairy folk and glimpses of shape-shifting dogs are but some of the subjects featured on the latest instalment of Ghosts with Goblin . Head over to Goblin Kwain on YouTube to listen to my friend Marie and I as we read a few spooky tales of paranormal encounters... 

For Night Will Come (2023)

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When they move to a quiet suburban neighbourhood, the Ferals appear to be a very normal family. However, they have a dark secret concerning their teenaged son Philémon, and as he begins to fall for his neighbour Camila, his thirst for human blood becomes harder to resist, threatening the family's well rehearsed cover... Read my full review at Eye for Film . 

It Follows (2014)

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It Follows is a deeply unsettling, yet beautifully produced coming of age creeper. The story of a young woman (Maika Monroe) who is relentlessly stalked by an unknown supernatural force after a sexual encounter, it taps into primal fears such as death, abandonment, betrayal, and social ostracism. Hailed as a modern horror classic, it entrenches itself in the logic of grim and bloody fairy tales in which youngsters must fend for themselves and use their wits to outsmart and survive an evil adversary. A brand new 4K UHD/Blu-ray release by Second Sight Films boasts a plethora of rich, full-bodied bonus features for the connoisseur and casual viewer alike. Read my full review of the bonus features over at Eye for Film. Read my review of It Follows here . 

The Vourdalak (2023)

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Based on a 19th century Gothic novella by Aleksey Tolstoy (previously adapted for cinema by Mario Bava as a segment in his 1963 anthology, Black Sabbath ), The Vourdalak is the debut feature film from French writer-director Adrien Beau. It tells of the Marquis d'Urfé (Kacey Mottet Klein), an emissary of the King of France who seeks shelter with a family when he becomes lost travelling through Eastern Europe. The family are anxiously awaiting the return of their patriarch, Gorcha, who has gone to capture an outlaw. Before leaving, he forewarned his family that if he does not return within six days, he has been killed and, if he reappears, they must refuse him entry to the house as he has become a vourdalak; a walking corpse returned from the grave seeking the blood of its loved ones... Head over to Eye for Film to read my full review.

Bitten (2023)

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Convinced she has only one more day to live, Françoise and her friend run away from their convent boarding school and hitch a lift to a party in a vast chateau in the middle of the woods. Here, amid decadence and occultist dalliances, she encounters various lost souls, including a sullen party guest who claims to be a vampire, as she struggles with fiery, prophetic visions and a sense that time is running out. Read my full review at Eye for Film .

Harbingers of Death

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My dear friend Marie Robinson, a writer and folklorist from Missouri, has recorded a new video for Ghosts with Goblin , her YouTube series dedicated to eerie folklore, ghost stories, urban legends and tales of the paranormal. The latest instalment is an exploration of harbingers of death from around the world, including the Welsh Gwrach y Rhibyn (Witch of Rhibyn) and the Irish Death Coach (Coiste Bodhar, meaning 'silent coach'). Join us, as we delve into and read spooky accounts of people's experiences with harbingers of death... You can watch/listen here . 

Summoning The Spirit (2023)

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A city couple relocating to a home in the forest discover a commune on the neighbouring land is home to a cult of sasquatch worshippers harbouring sinister secrets...  Head over to Eye for Film to read my full review.

Jekyll and Hyde

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Written and directed by Jennifer Dick, and adapted from Robert Louis Stevenson’s classic Gothic novella, Jekyll and Hyde is the latest production from Glasgow based theatre company, Bard in the Botanics. It tells of Gabriel Utterson, a solicitor who investigates a series of strange, horrifying occurrences involving the renowned Dr Henry Jekyll, and a murderous brute named Edward Hyde. Utterson eventually discovers that the two men are one and the same, as Jekyll's primal, violent urges are made flesh in the form of Hyde. Performed by a cast of three against the backdrop of the stunning Kibble Palace, an ornate Victorian glasshouse in Glasgow's botanical gardens, Jekyll and Hyde stars Stephanie McGregor as Gabriel Utterson, Adam Donaldson as Henry Jekyll, and Sam Stopford as Edward Hyde. As Utterson, McGregor guides us through the story, remaining an anchor throughout, as her investigations eventually lead to the horrifying truth about her friend Dr Jekyll. The chemistry betwe