Red Hoods, Dark Woods Part IV: Happily Ever After

'Snow, Glass, Apples' by Julie Dillon

With filmmakers like Catherine Hardwicke directing modernised fairy tales for teen horror audiences, it is safe to assume that more will soon follow – think of what Twilight did for romanticising vampires and making them appealing to teen audiences. Love it or loathe it, its influence on popular culture is undeniable. Fans of Twilight no doubt flocked to Hardwicke’s latest offering.
A number of Hollywood horror-tinged adaptations of fairy tales are actually already in the works. Amongst them is the Julia Roberts starring Mirror Mirror, with Roberts tipped to play the Evil Queen. Directed by Tarsem Singh (The Cell), the film is a dark twist on the classic fairy tale, in which Snow White and the seven dwarfs look to reclaim their destroyed kingdom. Another film that refigures the tale of Snow White, with Snow White leading the charge into battle, is Snow White and the Huntsman, starring Kristen Stewart as Snow White, and Chris Hemsworth as the huntsman sent to kill her and bring her heart back to the Evil Queen (Charlize Theron). Also forthcoming is Hansel and Gretel: Witch Hunters; set '15 years after' their traumatic encounter with a cannibalistic witch in a gingerbread-house, siblings Hansel and Gretel have grown up to become a formidable team of bounty hunters who track and kill witches the world over.

So when you’re off to visit Grandma, or just going to the video shop; take care. Stick to the path. Don’t talk to strangers. And beware the full moon… Fairy tale horrors are here to stay.

The Ash Tree

1975 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, The Ash Tree was the last of several MR James adaptations directed by Lawrence Gordon Clark. Written for television by David Rudkin, It stars Edward Petherbridge in the dual role of Sir Richard, an 18th century aristocrat who inherits the vast estate of his late uncle, and of Sir Matthew, his 17th century ancestor whose role in local witch trials, and the death of Ann Mothersole (Barbara Ewing), haunts Sir Richard. With a slim running time (just over 30 minutes) The Ash Tree is one of the shortest entries in the series, but it is also one of the densest. The amount of detail and information packed in, without compromising or diluting the impact of the source material, is admirable. Clarke manages to convey events and flashbacks by utilising an interesting narrative structure and some ...

Mandrake (2022)

Mandrake tells of probation officer Cathy Madden (Deirdre Mullins), who is assigned to help with the rehabilitation of recently released ‘Bloody’ Mary Laidlaw (Derbhle Crotty), who had been incarcerated years prior for the murder of her abusive husband. Rumours have long swirled in the local area concerning Mary’s dabbling in witchcraft and involvement in cases of missing children. No sooner has she been released, than the bodies of several local children are found in the woods near her farmhouse. As Cathy and local police delve deeper, the veil between real and imagined starts to fray and Cathy is drawn into a dark world of occult ritualism and blood sacrifice. Directed by Lynne Davison and written by Matt Harvey, Mandrake is a delicious slice of witchy, Northern Irish folk horror, dripping with atmosphere and arcane lore. While Irish horror is having a moment right now, with acclaimed titles such as Aislinn Clarke’s Fréwaka and Kate Dolan’s You Are Not My Mother mining rich and cr...

Kensal Green Cemetery

During a recent visit to London, a friend and I decided to explore Kensal Green Cemetery in the west of the city. Founded as the General Cemetery of All Souls by barrister George Frederick Carden in 1833, Kensal Green was inspired by the garden-style cemetery of Pere-Lachaises in Paris. Comprised of 72 acres of beautiful grounds, it was not only the first commercial cemetery in London, but also the first of the ‘Magnificent Seven’ garden-style cemeteries established to house the dead of an ever-increasing population. Campaigners for burial reform were in favour of “detached cemeteries for the metropolis” and in 1832 Parliament passed a bill that led to the formation of the General Cemetery Company to oversee appropriate measures and procedures concerning “the interment of the dead.” The company purchased land for the establishment of Kensal Green in 1831 and held a competition in order to select an appropriate designer. Among the prerequisites in the brief provided to entrants, we...

Behind the Couch

Search This Blog