Dir. Steve Miner
Five years after Mrs Voorhees slaughtered a group of counsellors attempting to reopen the summer camp where she believed her son to have drowned, a new spate of murders plagues a nearby camp. Could it be that Mrs Voorhees’ son Jason has returned from the grave to avenge his mother’s death? Or could it be he didn’t actually drown all those years ago, he lived as a feral hermit in the woods by the lake… Until now!
Jason Voorhees was essentially an afterthought as far as the first Friday the 13th movie was concerned. His off screen death provided the catalyst for his mother’s vengeful killing spree. That was of course, until the film became a huge success and Paramount saw a way to make even more money, as cheaply as possible.
Stepping away from the project to pursue more ‘family orientated’ projects, Sean Cunningham handed the reigns over to producer Steve Miner.
Friday the 13th Part II was released at a time when cinemas, and indeed video shops, were staggering under the weight of slasher movies. From the years 1980 – 1982, you couldn’t go near a cinema without the risk of bumping into a masked psycho brandishing something sharp and stabby. Also produced around this time were the likes of Halloween II, Prom Night, Terror Train, Hell Night, My Bloody Valentine, The Burning, He Knows You’re Alone and The Funhouse – all of which featured nubile teens making out and then cutting cut the fuck up. Conservative morality much?? Friday the 13th Part II is in many ways typical of a standard slasher sequel. Revenge is once again the motive of a largely unseen assailant. The body count is much higher than that of the prior film. The deaths are much more elaborate and gory. There is more nudity, more partying, more people wandering around creepy woodlands in the dead of night only to meet with the wrong end of something sharp. Everything about Part II screams bigger, better, faster, morer! In some other ways though, Part II is, while arguably a souped-up retread of the first movie’s events, actually not a bad film. As far as slasher sequels go. Like the first film, we follow the mundane exploits of various teens, as they obliviously shag, smoke and drink their way towards a violent death at the hands of a madman stalking their every move. Thinly drawn characters are picked off one by one, in increasingly grisly ways until only one is left standing – in this case, Final Girl par excellence, Ginny (Amy ‘buns of’ Steel). As was the case with Alice, Ginny is really the only character to receive any shading or depth – she’s a cool, intelligent, pretty and straight-talking gal who drives a cranky red car and majors in Child Psychology – something that comes in very useful when she must confront Jason at the film’s climax.
Opening with a tightly filmed prologue (all close ups and steadicam stalking) in which poor Alice (Adrienne King), two months on and still clearly traumatised by her ordeal at the hands of Mrs Voorhees at Crystal Lake, has a lengthy flashback compromised of stock footage from the first film. Wandering around her cosy apartment, she showers and is startled by a noise in her kitchen… Shortly afterwards she discovers the decomposing head of Mrs Voorhees in her fridge and is promptly dispatched by an unseen assailant who stabs her in the head with an ice pick. It isn’t long before we’re introduced to the next batch of
They arm-wrestle, BBQ, read, play chess, swim, have sex, drink beer, smoke pot, look for hairbrushes in dark cabins and generally just wander about the place without a care in the world while the camera stalks after them and spies on them from behind trees/curtains/fences/cabin walls etc. Miner builds some tension during these scenes, though much of it obviously feels like padding as he is just filling time before the next victim gets it. A number of kills actually top those depicted in the first movie in terms of ruthlessness; a machete to the face, a double impalement (during copulation no less!), a number of slashed throats and a hammer to the head.
The campfire scene and a later scene involving the counsellors sitting at a bar in town discussing Jason, helps to flesh out the still fledgling slasher monster. They speculate about what he must be like, after living in the woods for so long having witnessed his mother’s death. The picture they paint of him, while vaguely sympathetic, is also incredibly sinister. In the first movie Jason was simply depicted as a disfigured boy thrashing around in the middle of the lake. In Part II, he’s lean, mean and a well-oiled killing machine. Unlike his later incarnations, here he runs and chases his prey with gusto, appearing feral and nimble. His look – a burlap sack with one eyehole cut into it, is immensely creepy, and while nowhere near as iconic as the hockey mask, still packs a visual punch – especially in the scene where he suddenly sits up in the bed to surprise poor Vicky, the camera fixed on his one glowering eye, glaring out from the hole in the sack. The stuff of nightmares. As is the moment when Ginny, upon entering a dark room with Paul, realises something is not quite right and whispers "There's someone in this room." Spine-chilling.
While much of Miner’s style follows directly on from Cunningham’s (the sense of continuity in this film, interms of style and tone, is spot on), he is much more adept at building and sustaining suspense. The lengthy chase scene near the climax that begins when Ginny and Paul return from the bar in town to discover the place eerily deserted, and that culminates in Jason’s shack once he’s relentlessly pursued Ginny there, is a genuine exercise in flawlessly maintained tension and a few well timed jolts. Slasher movie bliss. In what can only be presumed to be a touch of reflexivity on Miner’s part, a couple of characters actually look directly into the camera at certain stages – Alice, when she suddenly pulls back her shower curtain, and Terry, when she is fumbling around her cabin looking for a knife. These moments are odd and uncomfortable and are almost certainly bound up in ideas about audience voyeurism, spectatorship and implement us in the ensuing carnage. It is after all, for our entertainment. Fuck, yeah! A couple of stand out moments from the original are 'reproduced' here (and indeed throughout the series) such as the shock ending (which here, dosen't really make any sense, but still manages to shit you up good). There's also the downright bizarre shot of Jason lifting Alice's kettle off the boil after he's killed her. What a gentleman!
Friday the 13th Part II is a pretty gripping follow up to the classic slasher, with its fair share of bloody violence, suspense and well-oiled shocks. And one of the best Final Girls in slasher movie history!