Interviews

Dario Argento - Director of Deep Red, Suspiria, Tenebrae etc.

Bruno Forzani & Hélène Cattet - Writers/directors of Amer

Coralina Cataldi-Tassoni - Star of Demons II, Opera and Mother of Tears

Maitland McDonagh  - Author of Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento

Bill Moseley - Star of The Texas Chain Saw Massacre Pt II, House of 1000 Corpses and The Devil's Rejects

Sean Keller - Co-writer of Giallo

Sean Keller on his creepy poetry book for children, 'Underneath the Bed & Other Nightmares'

Marco Werba - Composer (Giallo, Colour From the Dark) 

Alan Howarth - Composer (Halloween II-VI, They Live, Prince of Darkness)

Jonathan Snipes - Composer (Starry Eyes, Room 237, The Nightmare)

Rich Vreeland AKA Disasterpiece - Composer (It Follows, FEZ) 

Christine Makepeace - Co-founder and editor of Paracinema

Christine Makepeace on her debut novel, contemporary Gothic character study, Wake Up, Maggie

INJ Culbard on his graphic novel adaptations of the work of HP Lovecraft

Jon Towlson - Author of Subversive Horror Cinema 
 
 Jack Zipes - Author of The Brothers Grimm: From Enchanted Forests to the Modern World and Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales

Alexandra Heller-Nicholas - Author of Suspiria (Auteur Publishing), Rape-Revenge Films: A Critical Study, Found Footage Horror Films: Fear and the Appearance of Reality

Jez Conolly - Co-author of Dead of Night (Auteur Publishing)

Johnny Mains - Author/Editor of 'The Sorcerers by John Burke' and Back From the Dead: The Legacy of the Pan Book of Horror Stories 

The BFI's Sam Dunn & Rhidian Davis on Gothic: The Dark Heart of Film

Lawrie Brewster - Director of Lord of Tears, The Unkindness of Ravens

Sean Hogan - Writer/Director of The Devil's Business 

Ryan Haysom - Director of neo-giallo short, Yellow

Tim Sullivan - Director of 2001 Maniacs, Deadwood and 2001 Maniacs: Field of Screams

Christian Sellers and Gary Smart - Authors of ‘The Complete History of The Return of the Living Dead'
 
Reg Traviss - Director of Psychosis 

Éric Falardeau - Writer/director of Thanatomorphose

Ryan Haysom, Jon Britt and Catherine Morawitz - Makers of neo-giallo short, Yellow

Mark Colegrove - Director of Isle of the Damned

Ian Powell - Director of Seeing Heaven

Ben Muir - Writer of How to Survive a Zombie Apocalypse!

John Rosenberg - Editor of The Convent, Poison Ivy III and Body Count

Nathan Shumate - Author of The Golden Age of Crap

Pat Higgins - Director of Hellbride

John Michael Elfers - Writer/director of Finale

Kerry Anne Mullraney - Director of The Dead Outside

Wyatt Weed - Director of Shadowland

Dave Parker - Director of The Hills Run Red

George Clarke - Writer/director of Battle of the Bone

Ivan Zuccon - Director of The Colour from the Dark

Paul Solet - Director of Grace

Robbie Bryan - Director of imurders 


Interviews with me about my book, Dario Argento (Kamera Books)...

Fascination with Fear

Culture Northern Ireland

The Gentlemen's Guide to Midnite Cinema

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Experiment IV – Kate Bush

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A couple of years back I wrote a piece about the influence of horror cinema and literature on the music of Kate Bush. I recently acquired The Whole Story, a ‘best of’ compilation released by Kate in 1986, and have since become rather ‘obsessed’ with one of the tracks featured on it: Experiment IV. Said track was written especially for the compilation and released to promote it. Along with the accompanying video it once again demonstrates Kate Bush’s singular vision as a musician, an artist - and a lover of horror. Taking the ‘storyline’ from the song quite literally, the video tells of a top secret and highly dubious government experiment to create a sound that can kill. That sound is, of course, portrayed by Kate in the video – initially as an alluring siren-like wraith (underpinning the notion of deadly music at the heart of the song; sirens lured seamen to watery graves by bewitching them with their irresistible but deadly voices), and then as a nightmarish spectre reminiscent of …
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Thanatomorphose

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2012
Dir. Éric Falardeau

A young woman awakens one day to find her flesh beginning to rot…

The title of this unsettling low-budget film comes from the French word meaning the ‘visible signs of an organism’s decomposition caused by death.’ Moodily shot and with very little dialogue, Falardeau’s feature debut is an unsettling rumination on the fragility of the flesh, and an uncompromising exploration of the dark realm where sex and death interlock. With it’s rather Cronenbergian concept of someone essentially trapped inside their own body as it rots away before their eyes, Thanatomorphose boasts an unflinching ‘body horror’ narrative that doesn’t shy away from depicting all manner of disturbing imagery and worrying ideas.

The plot, so to speak, follows a nameless young woman’s downward spiral into madness, as her already seemingly fragile mental state begins to unwind as her body decomposes. Kayden Rose delivers a suitably detached performance that enhances her character’s dissociative …
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Beware the Autumn People...

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Having just finished reading Ray Bradbury’s creepy carnival-based Something Wicked This Way Comes, I was incredibly struck by his vivid, immensely atmospheric prose; particularly the following passage, which proved to be one of the most evocative of the whole novel. It appears late in the story, as Charles Halloway is talking to his young son Will about the duel nature of mankind. He is attempting to explain the existence of evil in the world, and warn his son about the kind of people who have completely succumbed to their darkest desires; so much so they’ve been utterly consumed by them. He recalls an old religious tract written by Pastor Newgate Phillips in which these individuals are referred to as 'Autumn People'...

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