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Beware the Autumn People...

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Having just finished reading Ray Bradbury’s creepy carnival-based Something Wicked This Way Comes, I was incredibly struck by his vivid, immensely atmospheric prose; particularly the following passage, which proved to be one of the most evocative of the whole novel. It appears late in the story, as Charles Halloway is talking to his young son Will about the duel nature of mankind. He is attempting to explain the existence of evil in the world, and warn his son about the kind of people who have completely succumbed to their darkest desires; so much so they’ve been utterly consumed by them. He recalls an old religious tract written by Pastor Newgate Phillips in which these individuals are referred to as 'Autumn People'...

“For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from…
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The Haunting of Black Wood

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2011
Dir. Jack Heller

With a plot revolving around several apparent strangers stranded at an isolated cabin in the creepy backwoods of beyond, audiences could be forgiven for assuming The Haunting of Black Wood is a tired retread of the likes of The Evil Dead and The Cabin in the Woods.

Nothing could be further from the truth. Initially titled Enter Nowhere (a much more fitting title given the plot and central themes) the film is part sci-fi, part indie drama, part supernatural thriller.

Head over to Exquisite Terror to read my full review and win a copy of The Haunting of Black Wood, which has just been released on DVD in the UK. 
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Experiment IV – Kate Bush

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A couple of years back I wrote a piece about the influence of horror cinema and literature on the music of Kate Bush. I recently acquired The Whole Story, a ‘best of’ compilation released by Kate in 1986, and have since become rather ‘obsessed’ with one of the tracks featured on it: Experiment IV. Said track was written especially for the compilation and released to promote it. Along with the accompanying video it once again demonstrates Kate Bush’s singular vision as a musician, an artist - and a lover of horror. Taking the ‘storyline’ from the song quite literally, the video tells of a top secret and highly dubious government experiment to create a sound that can kill. That sound is, of course, portrayed by Kate in the video – initially as an alluring siren-like wraith (underpinning the notion of deadly music at the heart of the song; sirens lured seamen to watery graves by bewitching them with their irresistible but deadly voices), and then as a nightmarish spectre reminiscent of …
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