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Alexandra Heller-Nicholas

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The Company of Wolves (1984)

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Co-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from her collection, The Bloody Chamber , The Company of Wolves is a werewolf film quite unlike any other. A provocative reinterpretation of the fairy tale of Red Riding Hood, it unravels as a feverish exploration of a young girl’s sexuality as she crosses the threshold into adulthood. It was Jordan’s second film, and his first foray into the realms of Gothic horror. Entwining metaphor with striking visuals and grisly effects, The Company of Wolves was released in the early Eighties, in the wake of The Howling and An American Werewolf in London ; it set itself apart from the pack, however, with its literary roots, feminist concerns and art-house execution. The folk tales it draws upon and the significance of oral storytelling itself are woven into the very fabric of the film. Its unusual narrative structure, which unfurls like a Chinese puzzle box, begins as a young girl,...
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Valentine (2001)

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After reading the sad news about filmmaker Jamie Blanks , I felt compelled to revisit some of his work. I’ve already written about Urban Legend (one of my all-time favourite slasher films), with its irresistible premise, top-notch cast and slick execution, and his eerie eco-horror Long Weekend , so thought I’d turn my attention to his early 2000s slasher, Valentine . It tells of a group of girlfriends - Paige (Denise Richards), Kate (Marley Shelton), Dorothy (Jessica Capshaw), Shelley (Katherine Heigl) and Lily (Jessica Cauffiel) – who, in the days leading up to Valentine’s Day, are targeted by a mysterious killer wearing a cherub mask. A solid slasher with a strong cast, creepy masked killer and several frenzied set pieces to get the adrenaline flowing, Valentine is a real throwback to classic, holiday-themed 80s slashers, such as My Bloody Valentine , Terror Train and Prom Night . Despite coming in the wake of a slew of post-modern, self-referential slashers in the late 90s, b...
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A Brief History of the Necronomicon

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After my recent viewing of Evil Dead (2013), I found myself thinking about the subtle (and not so subtle) Lovecraftian elements, particularly the creepy arcane tome found in the cellar of the cabin. A prominent feature of the earlier Evil Dead films too, the Necronomicon is an ancient (fictional) grimoire containing summoning spells, incantations, the laws of the dead and various accounts of an unknowable pantheon of cosmic deities known as the Great Old Ones. The Necronomicon was created by HP Lovecraft and appeared in many of his stories. According to Lovecraft scholar ST Joshi, the author was likely inspired to create a fictional grimoire that could drive its reader insane and unleash incomprehensible cosmic horrors from the beyond, by a collection of short stories by Robert Chambers, The King in Yellow (1895). In his essay Supernatural Horror in Literature (1927), Lovecraft describes this collection as: “a series of vaguely connected short stories having as a background a m...
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