Paracinema #12 Available to Pre-Order!

Now in its fourth year and going from strength to strength, Paracinema is a New York based, independently produced magazine specialising in the appreciation of films that fall outside of mainstream cinema. Written by fans for fans, each issue features in-depth studies of titles from genres such as horror, exploitation, cult, Asian, giallo and B-movies.

Within the vivid, exquisitely designed pages of issue 12 you’ll find features such as The Man From Australia: Falling Without a Parachute Through the Films of Ozploitation Filmmaker Brian Trenchard-Smith by Justin Bozung; Howling All the Way Straight to Video by Brett Taylor; and Explorers: Exploring Childhood Escapism by Matthew House - of Chuck Norris Ate My Baby infamy. 

*shameless self-promotion alert*

This issue also includes my feature Sketches of Venice in Red: A Comparative Glance at Who Saw Her Die? And Don’t Look Now. Pre-order your copy now.

If you’re on Facebook, you can follow Paracinema here. Check out my interview with the editor/co-founder of Paracinema, Christine Makepeace, here.

Support independent publishing!

Popular posts from this blog

Satranic Panic (2023)

Image
When Max is murdered by a mysterious demon-worshipping cult, his partner Jay (Zarif) and best friend Aria (Cassie Hamilton) set out to avenge his death. Directed by prolific Aussie filmmaker Alice Maio Mackay, and co-written by Mackay, Cassie Hamilton and Benjamin Pahl Robinson, Satranic Panic is a low-budget, character-driven, comedy-horror road movie. Quite similar in tone to Mackay’s previous feature, T-Blockers , Satranic Panic also unfurls as a love letter to schlocky b-movie horrors and features transgender characters who make a defiant stand against intolerance. And demons. Retaining most of the crew from T-Blockers , including cinematographer/editor Aaron Schuppan, composer Alex Taylor and sound designer Roisin Gleeson, Mackay’s approach is as bold as it was on her earlier film, but with slightly higher production values. While Satranic Panic is still a very low budget affair, it’s just as much a labour of love and exhibits an equally off-kilter yet exuberant tone. The low b...
Read more

Cat People (1942)

Image
The first in a series of moody, literate horror films produced by Val Lewton in the 1940s, Cat People is an evocative example of how effective the ‘less is more’ approach to horror can be. Directed with effective restraint by Jacques Tourneur, the film is a masterpiece of mood and atmosphere. By electing to suggest the horror rather than show it outright, Cat People remains an eerily atmospheric and psychological chiller to this day. One of the first horror films to reference psychoanalysis, it plays out as a dark tale of sexual anxiety and coded lesbianism. It tells of Irena (Simone Simon), a young Serbian woman working as a fashion designer in New York City, who meets Oliver (Kent Smith), a draftsman in a ship building company. After their somewhat impulsive marriage, their relationship becomes strained when they fail to become sexually intimate. This is because Irena believes she is descended from a race of Satanic cat people, doomed to transform into a ravaging panther when arous...
Read more

Behind the Scenes of Dario Argento’s Dracula 3D

Image
Asia bares her fangs... Dario Argento is currently ensconced in shooting his adaptation of Bram Stoker’s classic vampire novel, 'Dracula'. Filming began in Hungary (where Argento previously filmed Phantom of the Opera and produced Michele Soavi's The Church ) in June and the film stars Rutger Hauer (as Van Helsing), Thomas Kretschmann (as Dracula), Marta Gastini (as Mina) and Asia Argento (as Lucy). A few on-set photos have found their way online courtesy of Asia Argento…  According to Alan Jones’s on-set reports , filming has gone well thus far and the shoot has proved something of an Argento ‘family’ reunion. Working with him again are the likes of special effects artist Sergio Stivaletti (who has worked on the majority of Argento's films since Phenomena in 1985), cinematographer Luciano Tovoli (who also lensed Argento’s gothic masterpiece Suspiria and edgily reflexive giallo Tenebrae ), production designer Massimo Antonello Geleng ( The Stendhal Syndrome,...
Read more