Skip to main content

How To Become A Werewolf: Part II

Who’s the Fairest of Them All by Bernie Wrightson
Myths survive as long as they speak to something fundamental in the human psyche, and notions of humans transforming into animals and monsters have fascinated and terrified us for millennia. It is an idea that speaks of the primal, animalistic impulses that lurk within all mankind, and it nestles in the dark corners of most, if not all cultures around the world. Throughout folklore and archaic literature the figure of the werewolf is depicted as a cursed and shunned individual, thought to have no control over his or her bestial urges which accompany the dreadful transformations from man to monster.

A person was believed to become a werewolf if they were excommunicated from the church, or if they were born on Christmas Day. They could also become a werewolf if they were cursed, or if lycanthropy ran in their family (tainted bloodlines), or by performing certain black magic rituals or sometimes, just through sheer force of will. More recently, thanks to certain conventions established by classic Hollywood horror cinema (namely The Werewolf of London [1935] and The Wolf Man [1941]), other ways to become a werewolf include infection (ie being bitten by another werewolf) and by lunar influence. The influence of the moon was actually briefly suggested in texts such as Sabine Baring-Gould’s Book of Were-Wolves (1865), in which references are made to certain regions of Southern France where lycanthropes could change into wolves under a full moon, and in Edward Topsell’s The History of Four-footed Beasts (1607), which actually asserted that the brains of wolves decreased and increased in size with the waxing and waning of the moon.

While researching all things lycanthropic for my book on The Company of Wolves, I came across Elliott O’Donnell’s Werwolves (1912), an old ‘scholarly’ study of, you’ve guessed it, werewolves. Within its pages are first-hand accounts of O'Donnell’s encounters with lycanthropes and a staggering array of werewolf lore from many cultures throughout the world. Also included is a chapter concerning various rituals and rites to perform if you’d like to become a werewolf. According to O’Donnell, in cases when lycanthropy is not hereditary, werewolfism can be attained by drinking water from a wolf’s paw print, or by drinking downstream from several wolves. O’Donnell suggests that in certain parts of Scandinavia it was believed a person could become a werewolf if they drank from an enchanted ‘lycanthropous’ stream. Lycanthropous water is apparently different from regular water (!) and according to O’Donnell, those who live near lycanthropous water describe it as having a faint odour ‘comparable with nothing’ and possessing a ‘lurid sparkle’ which is strongly suggestive of ‘some peculiar, individual life.’ The noise of flowing lycanthropous water is said to resemble ‘the muttering and whispering of human voices as to be often mistaken for them’ and by night the voices rise into ‘piercing screams, and howls, and groans, in such a manner as to terrify all who pass near it.’

Gray Wolf River by Yair-Leibovich
When the individual seeking to become a werewolf locates a lycanthropous stream, they must kneel by it at midnight and recite the following incantation:

Tis night! ‘tis night! and the moon shines white
Over pine and snow-capped hill;
The shadows stray through burn and brae
And dance in the sparkling rill.

Tis night! ‘tis night! and the devil’s light
Casts glimmering beams around.
The maras dance, the nisses prance
On the flower-enamelled ground.

Tis night! 'tis night! and the werewolf’s might
Makes man and nature shiver.
Yet its fierce grey head and stealthy tread
Are nought to thee, oh river!
River, river, river.

Oh water strong, that swirls along,
I prithee a werewolf make me.
Of all things dear, my soul, I swear,
In death shall not forsake thee.

Once these words are spoken, the individual then strikes the bank of the stream three times with his/her forehead, then dips his/her head into the water three times, each time taking a mouthful of water and drinking it. This, according to O’Donnell, completes the ceremony and the individual has become a werewolf and ‘twenty-four hours later will undergo the first metamorphosis.’

Popular posts from this blog

The Ash Tree

1975 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, The Ash Tree was the last of several MR James adaptations directed by Lawrence Gordon Clark. Written for television by David Rudkin, It stars Edward Petherbridge in the dual role of Sir Richard, an 18th century aristocrat who inherits the vast estate of his late uncle, and of Sir Matthew, his 17th century ancestor whose role in local witch trials, and the death of Ann Mothersole (Barbara Ewing), haunts Sir Richard.  With a slim running time (just over 30 minutes) The Ash Tree is one of the shortest entries in the series, but it is also one of the densest. The amount of detail and information packed in, without compromising or diluting the impact of the source material, is admirable. Clarke manages to convey events and flashbacks by utilising an interesting narrative structure and some ...

Mandrake (2022)

Mandrake tells of probation officer Cathy Madden (Deirdre Mullins), who is assigned to help with the rehabilitation of recently released ‘Bloody’ Mary Laidlaw (Derbhle Crotty), who had been incarcerated years prior for the murder of her abusive husband. Rumours have long swirled in the local area concerning Mary’s dabbling in witchcraft and involvement in cases of missing children. No sooner has she been released, than the bodies of several local children are found in the woods near her farmhouse. As Cathy and local police delve deeper, the veil between real and imagined starts to fray and Cathy is drawn into a dark world of occult ritualism and blood sacrifice. Directed by Lynne Davison and written by Matt Harvey, Mandrake is a delicious slice of witchy, Northern Irish folk horror, dripping with atmosphere and arcane lore. While Irish horror is having a moment right now, with acclaimed titles such as Aislinn Clarke’s Fréwaka and Kate Dolan’s You Are Not My Mother mining rich and cr...

Kensal Green Cemetery

During a recent visit to London, a friend and I decided to explore Kensal Green Cemetery in the west of the city. Founded as the General Cemetery of All Souls by barrister George Frederick Carden in 1833, Kensal Green was inspired by the garden-style cemetery of Pere-Lachaises in Paris. Comprised of 72 acres of beautiful grounds, it was not only the first commercial cemetery in London, but also the first of the ‘Magnificent Seven’ garden-style cemeteries established to house the dead of an ever-increasing population. Campaigners for burial reform were in favour of “detached cemeteries for the metropolis” and in 1832 Parliament passed a bill that led to the formation of the General Cemetery Company to oversee appropriate measures and procedures concerning “the interment of the dead.” The company purchased land for the establishment of Kensal Green in 1831 and held a competition in order to select an appropriate designer. Among the prerequisites in the brief provided to entrants, we...