Behind the Couch

Throughout this month I’ve been looking at various Christmassy horror titles, many of which were made by the BBC and have been released for the first time by the BFI as part of their Gothic: The Dark Heart of Film season. With recent releases such as the surviving episodes of the long thought lost Dead of Night , a creepy BBC anthology series, and the Ghost Stories for Christmas collection, which includes many adaptations of the work of M.R. James, the BFI has provided access to long sought after and historically significant horror rarities. These releases have been part of a staggering array of BFI film screenings and special events throughout the UK this year, all in celebration of our Gothic cinematic heritage. I recently had the pleasure of interviewing Sam Dunn, the BFI’s Head of Video Publishing, and Rhidian Davis, Season Organiser of Gothic: The Dark Heart of Film.  Head over to Diabolique to read it .

2013 Dir. Mark Gatiss When a young librarian is tasked with locating an obscure Hebrew tome for a sinister gentleman, he has a terrifying experience in the library. Soon afterwards he becomes embroiled in a search for the last will and testament of the spiritually corrupt uncle of rival siblings… Since the early Seventies the BBC has had a tradition of broadcasting ghost stories during the festive period, predominantly adapted from the work of medieval scholar and former Provost of Kings College, Cambridge, MR James. James wrote many of his, now classic, ghost stories to be read aloud on Christmas Eve to his friends and colleagues. The BBC series drew to an end in the late Seventies but was revived again in the Noughties with adaptations of James's  Number 13, A View from a Hill and a reinterpretation of Whistle and I’ll Come to You . This year’s instalment, another James adaptation, marks the directorial debut of writer/actor Mark Gatiss, best known for his work with The

Dir. Andy de Emmony After placing his senile wife in a care home, retired astronomer James Parkin (John Hurt) heads for the coast to revisit their ‘old haunts’, including the now out-of-season hotel they honeymooned in. By day he is stalked along the windswept beaches by a spectral figure dressed in white, and by night he is terrorised by strange sounds and someone, or something, attempting to enter his room… In the 2000s BBC4 attempted to reignite the old Ghost Story at Christmas tradition by adapting MR James’s A View from a Hill (2005) and Number 13 (2006). This series was seemingly short lived though, as their next outing wasn’t until 2010, and an unusual reinterpretation of James’s classic chiller Oh Whistle and I’ll Come to You, My Lad . While de Emmony’s direction captures the atmosphere and tone of James very well, this film differs significantly from other adaptations, including Jonathan Miller’s supremely unsettling 1968 take . Neil Cross’s screenplay only incorpo

1974 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, The Treasure of Abbot Thomas tells of a scholarly Reverend and his young protégé’s search for hidden treasure said to have been buried within a monastery by a disgraced abbot. Much to their detriment the duo ignore ominous warnings of an otherworldly guardian protecting the treasure… The Treasure of Abbot Thomas is a rather typical James story in that it unfurls as a cautionary tale involving the unearthing of a mysterious - reputedly fabled - buried object, only for the excavator to fall foul of the supernatural entity protecting said object. In adapting James’s short story for television, screenwriter John Bowen ( Robin Redbreast, The Ice House ) introduces the character of young scholar Peter Dattering (Paul Lavers), who accompanies Reverend Somerton (Michael Bryant, The Stone Tape ) during

1975 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, The Ash Tree was the last of several MR James adaptations directed by Lawrence Gordon Clark. Written for television by David Rudkin, it tells of Sir Richard, who after inheriting the family estate from his great uncle, finds himself overcome with visions of his deceased ancestor’s role in the hanging of a local woman accused of witchcraft… With a slim running time (just over 30 minutes) The Ash Tree is one of the shortest entries in the series, but it is also one of the densest. The amount of detail and information packed in, without compromising or diluting the impact of the source material, is admirable. Clarke manages to convey events and flashbacks by utilising an interesting narrative structure and some beautifully subtle editing. Various scenes are linked by unbroken conversation or cer

1972 Dir. Don Taylor The Exorcism was part of the BBC’s Dead of Night horror anthology series from the early Seventies. Unfortunately not all of the episodes of the series have survived – three out of seven are all that is left, but they exemplify the series perfectly, capturing that unmistakably creepy and strangely nostalgic feel of ‘hide behind the couch’ television horror from yesteryear. The Exorcism tells of four friends who gather for Christmas dinner at a recently renovated old cottage in the English countryside. Throughout the evening a series of creepy occurrences suggest the spirits of the previous tenants do not rest in peace… The first episode to be broadcast, The Exorcism unfurls as a thoughtful critique of middle class attitudes and complacency, with several characters attempting to reconcile their wealth with their socialist upbringing. The juxtaposition between their fickle chit-chat, contemporary ‘concerns’ and bountiful Christmas spread, with that of the

1984 Dir. Saxon Logan An evening of drunken debauchery, sexual rivalry and political debate turns bloody when a wealthy couple visit their friends, brother and sister Alex and Marion, in their decaying family home in the English countryside. A curious and highly effective blend of social satire, jagged political commentary and horror, Sleepwalker was thought lost for many years, with some doubting its very existence, it is so rare and obscure. Director Logan found it difficult to obtain distribution, partly because of the film’s running time (a trim and taut 50 minutes), partly because it’s so genre defying. While not a horror film in the strictest sense of the term, Sleepwalker is still incredibly atmospheric and eventually nightmarishly violent. The barbed points it makes on political life in Eighties’ Britain, many of which remain searingly relevant, slice through to expose bare bone. The spiky dialogue is peppered with telling references to sleep disorders and serves to

1971 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, The Stalls of Barchester was the first of several MR James adaptations written and directed by Lawrence Gordon Clark. It tells of one Dr Haynes, an Archdeacon who acquires his status through unscrupulous means, and the dire consequences that await him. Nigel Kneale provided a succinct description of James’ work, and the main themes and ideas that move throughout it, when he said: His victim-characters are usually lonely men, antiquarians investigating ancient manuscripts and carvings, bachelor amateurs dabbling in the esoteric. Suddenly and troublingly they may find themselves less alone… the enemies are always waiting, ready to be summoned by an unwitting whistle or tampering with a forbidden lock . Prior to 1971, adaptations of the work of MR James had been scarce (not that they’re exactly ri

I can haz black and white cake now? Behind the Couch turns five years old today. Thank you very much to everyone who has swung by this year. While it has been a fairly uneventful year, there have been a few highlights, including October’s Lovecraftathon , in which I looked at some adaptations of HP Lovecraft’s cosmic horror tales. Indeed, throughout this month I’ll be looking at adaptations of the work of MR James to get into the appropriate mood for Christmas. There has also been the usual swooning over Vincent Price , loitering in graveyards , reviews of old favourites , new favourites , obscure gems , obscure trash – everything from the sublime to the not very good . Throughout the year I’ve also been reading and reviewing novels and short stories , listening to copious amounts of Kate Bush , discovering new things while watching Suspiria – with a live soundtrack , no less – and meeting fellow horror bloggers in the flesh. Rather excitingly, I was also invited to c

1973 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, Lost Hearts was adapted from the short story of the same name by MR James. It tells of a young orphan boy sent to live with his much older cousin at a remote house in the countryside. The boy begins to catch glimpses of two ghostly gypsy children with holes in their chests where their hearts should be and suspects his cousin may be involved in something deeply sinister indeed… This was the first of Clark’s adaptations for the Yuletide series he didn't write himself (it was written by Robin Chapman), and some critics have suggested this as the reason for the film’s inability to unnerve as much as the prior titles. While it isn’t as unsettling or downright terrifying as some of the other titles in the series (namely Whistle and I’ll Come to You, A Warning to the Curious and The Stalls of Barc

1972 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, A Warning to the Curious was adapted from the short story of the same name by MR James. It tells of a down on his luck amateur archaeologist who goes treasure hunting along the Norfolk coast in search of the fabled lost crown of Anglia, which supposedly helps protect Britain against invasion. He is soon hounded for his trouble by the crown’s spectral guardian… Lawrence Gordon Clark was responsible for many of the James adaptations in this series. Clark’s approach to revealing the horror is in keeping with James’ own quiet approach and it is unveiled slowly, suggestively, so as to heighten the impact and maintain the foreboding atmosphere of dread. The construction of the opening scene, in which an archaeologist is murdered while digging in search of the crown, is masterfully taut and creepy. T

1972 Dir. Rodney Bennett A Woman Sobbing was part of the BBC’s Dead of Night horror anthology series from the early Seventies. Unfortunately not all of the episodes of the series have survived – three out of seven are all that is left, but they exemplify the series perfectly, capturing that unmistakably creepy and strangely nostalgic feel of ‘hide behind the couch’ television horror from yesteryear. A Woman Sobbing tells of Jane (Anna Massey), a middle aged woman who, after moving to the country with her family, begins to suspect that her home is haunted by a baleful spectre who ceaselessly weeps throughout the night in the attic room above Jane’s bed. Like many great ghost stories, the most haunting aspect of A Woman Sobbing is its ambiguity. Like most of the other episodes of the series, it unfurls as a study of psychological breakdown in modern society. Supernatural elements are present, but vaguely so. Jane may very well be haunted by a distraught ghost, but then again,

Arcane and diabolical: promo still for The Book The Masters of Italian horror, giallo and exploitation cinema are to return to our screens in what looks set to be a collaborative horror film of unprecedented scale. Taking its cue from the likes of V/H/S and The ABCs of Death , The Book will bring together a group of filmmakers renowned for their work in the horror genre, featuring 12 individual episodes, each helmed by a master of Italian genre cinema. Rome, the Eternal City, as narrated by the Italian Masters of Horror. Writers, directors, actors, composers and artists behind the finest Italian genre cinema of the past sixty years will be given the opportunity to showcase their own personal vision of Rome, spread across a dozen episodes. All will be delivered in the unique style and method of each respective director, providing them with a vivid platform to showcase the dexterity and innovation which brought them initial acclaim. Free from studio constraints, The Book pr