Behind the Couch

Desperate for a hit single, Kate (Jasmine Maimone) and her all-girl rock band acquires a piece of unpublished music by Niccolò Paganini – the 19th Century composer said to have sold his soul to the Devil. They hire an isolated villa to record the music and shoot a video, but end up opening a gateway to hell and conjuring the ghost of Paganini, who stalks and murders them with his bladed violin. Written and directed by Luigi Cozzi ( The Black Cat ), and co-written by Daria Nicolodi (who also portrays Sylvia, the caretaker of the mysterious villa), Paganini Horror is an obscure Italian schlocker that combines tropes of the Haunted House film with supernatural slasher cinema. Its central premise of a rock band playing forbidden music which opens a portal to hell, firmly places it in the realms of Heavy Metal horror, sitting alongside cult titles such as Trick or Treat , Black Roses , The Gate and Rock and Roll Nightmare . Heavy Metal horror is a filmic sub-genre that emerged in the

1815. Ginger and Brigitte Fitzgerald, two orphaned teenaged sisters, seek refuge at an isolated trading fort in the snowy Canadian wilderness. They soon learn that the fort is under siege from werewolves lurking in the surrounding woods. After Ginger (Katharine Isabelle) is attacked and bitten by the lycanthropic son of the fort's factor, she begins to change. Her sister Brigitte (Emily Perkins) seeks a cure while trying to keep them both safe from the men in the fort, whose mistrust of the sisters is stoked by a bloodthirsty, wrathful minister. Directed by Grant Harvey, Ginger Snaps Back is a period piece (no pun intended) and a prequel to Ginger Snaps (2000), the story of a young woman who, on the night she first menstruates, is attacked by a werewolf and begins to transform into a monster. It was followed by  Ginger Snaps Unleashed (2004), which follows the plight of Ginger's sister, Brigitte, as she struggles to find a cure for her own latent lycanthropy. Written by Chri

When Julia moves with her husband to Bucharest, she notices a stranger always watching her from the building across the street. She begins to suspect this same stranger is following her and is the serial killer who has been terrorising the city and preying on women after dark. Written and directed by Chloe Okuno, Watcher is a tightly-wound, highly effective chiller; a truly modern horror that takes a simple premise - and universal, relatable anxieties - and expertly spins it into a web of paranoia and quiet terror. From the outset, Julia (Maika Monroe) is rendered an outsider. In the taxi from the airport, her half-Romanian husband Francis (Karl Glusman) and the driver converse in Romanian, unintentionally excluding her. When they get settled in their new flat, she finds herself alone much of the time. Her husband works long hours, she doesn’t yet have a job (we learn she left behind a promising acting career in the States), she doesn’t know anyone in the city. She begins to feel adri

Dear, you should not stay so late, / Twilight is not good for maidens; Should not loiter in the glen / In the haunts of goblin men. Goblin Market , Christina Rossetti Of all the strange figures found in folklore and fairy tales from around the world, the goblin is one of the most fascinating. A mischievous and malevolent creature, the goblin is often depicted as diminutive, but extremely cunning and devious, sly and cruel. Human encounters with goblins appear in stories as far back as the Middle Ages. Such stories usually portray the creatures as threatening and dangerous, playing malicious, harmful tricks on those unfortunate enough to cross their path. Head over to YouTube to check out the latest instalment of Ghosts With Goblin , in which my good friend, Marie Robinson - a Missouri-based folklorist - takes a look at first-hand accounts of goblin sightings. Reports come from folklore, the Fairy Census, and various online forums dedicated to the paranormal and supernatural. I provide

Maya and her boyfriend Ryan are driving across the country so she can attend a job interview. When they stop off in a small town, their car breaks down and they’re forced to stay the night at an Air B&B in the surrounding woods. After dark they are menaced and brutalised by three masked strangers.  A reboot in the form of a prequel that could also be a remake, The Strangers: Chapter 1 is the first in a new trilogy of films set to follow the exploits of the three titular antagonists. Taking its lead from Leigh Janiak’s Fear Street Trilogy , the films have been shot back to back and are set for release in fairly quick succession. As the first instalment, Chapter 1 sets the scene and unfolds in an enjoyable if perfunctory way (it's very much a re-tread of the original 2008 film). The main issue is, it sticks too closely to the blueprint of the first film (hence it feeling like a remake), and when a number of moments from the original are replicated, they just don't muster t