Behind the Couch

If you go down to the woods today, be sure to pick up a copy of my new book on Neil Jordan's Gothic fantasy The Company of Wolves . The book is part of Auteur’s Devil’s Advocates series, and can be bought from any of these fine places: Hive: hive.co.uk Wordery: wordery.com Columbia University Press: cup.columbia.edu A recent review (courtesy of author and critic Jon Towlson over at Starburst) said it was 'A meticulously researched, beautifully written and fascinating book...' Book includes chapters on the ‘making of’ the film, the evolution of folk and fairy tales in our culture, an examination of the tale of Red Riding Hood, the figure of the werewolf in folklore, literature and cinema, the powerful feminist message of the film (and the short stories by Angela Carter upon which it is based), and the representation of female monsters and werewolves in literature and cinema. Stay tuned for news of how you can enter a competition to win a copy of the book (cou

Stephen King’s tenth novel, Cujo (1981), tells of a young woman and her infant son who are trapped in their car at an isolated farmhouse when confronted by a rabid dog. It was adapted for film by Lewis Teague in 1983 and the adaptation features all the sweltering claustrophobia and intensity that made King's novel so gripping. Teague’s adaptation - which, like King's novel, also explores themes such as addiction, free will, childhood fears, adultery and familial dysfunction - is the subject of a new book by Melbourne based author and film historian, Lee Gambin. Nope, Nothing Wrong Here: The Making of Cujo (BearManor Media) is a staggeringly detailed work featuring academic scene-by-scene analyses alongside in-depth interviews with key members of the cast and crew, including stars Dee Wallace, Daniel Hugh Kelly and Danny Pintauro, director Lewis Teague, and composer Charles Bernstein. I recently had the pleasure of chatting to Gambin about his new book and the unyielding

Diabolique is a lavishly illustrated print and digital magazine exploring every aspect of horror film, literature and art. It brings fresh perspective to subjects old and new, foreign and domestic – from ancient folklore and Gothic classics to contemporary film releases and modern literary gems. Each issue brims with insightful commentary, analysis and engrossing information complemented by photos, illustrations and handsome, full-color design. Issue 27 (July/August), now available to pre-order, is entirely dedicated to witchcraft, magick and folk and fairy tales. Within its pages you’ll find in-depth explorations of the occult inspired works of Norman J Warren, ‘occult gialli’, the late George A Romero’s Season of the Witch , The Craft and the history of the witch trials seen in Ken Russell’s The Devils . There are also essays dedicated to the urban myths and lore of Candyman and the cinematic counterparts of Eastern European folk and fairy tales such as Little Otik and Viy .

Film director George A. Romero has died at the age of 77. He died in his sleep last night (Sunday 16th July) after a brief but aggressive battle with lung cancer. His agent, Chris Roe, said Romero’s wife and daughter were with him and that he passed away listening to the score of The Quiet Man , one of his favourite films. As the director of Night of the Living Dead (1968), Romero will be remembered as one of the major pioneers of the modern horror film. A truly groundbreaking work, it took horror out of the realms of the supernatural, away from a far flung Gothic locale and posited it directly on our doorsteps. Released just eight years after Hitchcock’s Psycho (1960) it similarly suggested that horror can exit right next door to us. Indeed, that it is us. Commenting on his vision of zombies as a metaphor for society, Romero commented ‘All I did was I took them out of ‘exotica’ and I made them the neighbors. I thought there’s nothing scarier than the neighbors!’ Prior to Rome

Born from a love of horror, ponderous thoughts and meandering topics, Exquisite Terror is a periodical that takes a more academic approach to the genre, featuring exclusive art, script analysis and in-depth essays. Like all good things that come to those who wait, issue 5 – after the shedding of much blood, sweat and tears - is now available to pre-order. And it’s really been worth the wait… Now featuring even more content than before, inside this issue you'll find in-depth essays and analyses on the likes of The Shining, The Omen, Silence of the Lambs and the werewolf (as a representation of 'coming out') in horror cinema, plus interviews with Uncle Bob Martin and Ramsey Campbell. Elsewhere, author and critic Jon Towlson delves into the world of film director Michael Reeves, while I explore the relationship between eroticism and death in the films of Dario Argento*. Every essay and article is accompanied by original and beautiful artwork (including some gorgeous il