Behind the Couch

Dir. Herbert Wise Based upon the novel by Susan Hill, The Woman in Black is a quietly shudder-some ghost story capable of chilling even the most hardened horror fanatic. Arthur (Adrian Rawlins), a mild-mannered young lawyer, is sent from London to Crythin Gifford to represent his firm at the funeral of a recently deceased client, a reclusive widow. While he is conducting an inventory of the woman’s possessions at her isolated house, he has several terrifying encounters with a mysterious figure which not only threaten his sanity, but his very life. While the story may be familiar – young man of rational mind is thrust into terrifying situations of a paranormal nature, in a place that treats him as an outsider – the solid direction, moody locales and convincing performances ensure The Woman in Black is not just another ‘things that go bump in the night’ flick going through the motions. While things certainly do go bump in the night throughout the story, the slow burning tension...

1978 Dir. John Carpenter Fifteen years after brutally murdering his sister on Halloween night, mentally deranged Michael Myers escapes from the psychiatric hospital where he was incarcerated. With his psychiatrist hot on his heels, Myers makes his way back to his hometown of Haddonfield, Illinois, with the express intention of committing more murders. On Halloween night he sets his sights on several teenagers who are babysitting near his old neighbourhood, stalking and slaying them one by one… After being impressed by Assault on Precinct 13 , producer Irwin Yablans approached director John Carpenter with an idea for a low-budget horror film about a maniac who stalks babysitters. Tentatively titled The Babysitter Murders , the project appealed to Carpenter, who along with producer Debra Hill scripted the story. After it was suggested they set the story during the course of one night, Carpenter and Hill decided upon Halloween, with its rich history and spooky connotations. With...

Halloween, 1967 Boy: “We’re alone, aren’t we?” Girl (Judith Myers): “Michael’s around here somewhere…” You bet Michael’s around here somewhere – everywhere, in fact. That’s because this month (what with it being October and Halloween and all) is totally Halloween Month at Behind the Couch . I thought it would be a totally good idea to watch all ten Halloween films (including Rob Zombie’s remake and its sequel) in the lead up to All Hallow’s Eve this month. Okay, I may have totally been drinking and watching Halloween H20 for the first time in ages when I had this brainwave, but hey, these things just have to be done sometimes. John Carpenter’s seminal slasher classic Halloween set a benchmark for horror throughout the Eighties. An excruciatingly taut exercise in suspense and fear, Carpenter’s film relied on ‘less is more’ suggestiveness to create an atmospheric chill-fest that still proves highly effective today. Arguably the benchmark it set would go on to consist of...

1951 Dir. Christian Nyby/Howard Hawks A group of scientific researchers and military personnel discover an alien spacecraft frozen under the ice in the Arctic. Retrieving the alien pilot, they take it back to their outpost to conduct research. However when the block of ice it’s entombed within thaws, the creature goes berserk and sets off on a bloody rampage, killing anyone who crosses its path and feeding on their blood. The military personnel led by Captain Hendry decide enough is enough, and plot to destroy the creature before it destroys them. Based on the short story 'Who Goes There?' by renowned sci-fi writer John W. Campbell, The Thing From Another World is one of the earliest, and most successful amalgamations of horror and sci-fi. A precursor to the likes of The Day The Earth Stood Still, War of the Worlds and Alien , the film was produced during a time when the media was bombarded by reports of sightings of UFOs; a time that would become the Golden Age of sc...

1980 Dir. Sean Cunningham A group of eager young camp counsellors are stalked and brutally murdered by an unknown assailant while trying to re-open a summer camp that was previously the site of a child's drowning and a number of mysterious deaths. The original, and very openly cynical, copy-cat slasher, Friday the 13th is way better than it has any right to be, and despite it being the instigator of most of the clichés we now know (and love) of the slasher genre, it’s a film that still stands as an effectively executed and frequently suspenseful horror flick. Modelled on Mario Bava’s body-count classic Bay of Blood , Cunningham and writer Victor Miller also took the basic premise of John Carpenter’s Halloween – teens imperilled by a psychotic killer - and simply added more violence, blood and carnage. In its wake, Friday the 13th left us with all the standard rules and conventions of the slasher movie. Sure, Halloween exhibited them first, and Black Christmas before ...

As you may or may not be aware, this blog takes its name from a phrase in popular culture that apparently originated from commentary on Doctor Who – namely the actions taken by younger viewers being frightened by episodes of the show - particularly during the 1970s. According to Sam Leith, who wrote an article titled ‘Worshipping Doctor Who from behind the sofa’, the cliché that Doctor Who had us ‘hiding behind the couch’ whilst watching it – ‘is more telling in its tone than its questionable factuality. It connotes nostalgia and a pleasurable mixture of fright and fascination - but above all it connotes domesticity. It united fear and soft furnishings in the British mind.’ Apparently The Economist actually went so far as to present this notion of "hiding behind the sofa whenever the Daleks appear" as a British cultural institution on an equal par with Bovril and ‘tea-time’. Indeed, the phrase is so strongly associated with Doctor Who in the UK, that in 1991 the Museum ...

The Mummy 1932 Dir. Karl Freund Egypt, 1921. A team of British archaeologists led by Sir Joseph Whemple uncover the mummified remains of Imhotep, an ancient high priest. When one young archaeologist reads from a sacred scroll, the Mummy comes to life – and the young man becomes delirious, eventually going insane. 10 years later Sir Joseph returns to Egypt with his son Frank. Unknown to them, the Mummy has revived itself and now exists as Ardath Bay, a mysterious man who helps the expedition uncover the tomb of his ancient love. Ardath Bay/Imhotep wants to be reunited with his love, but in order to that, the woman she has been reincarnated as, Helen Grosvenor, must die… The opening scene of this classic horror tale contains one of the most chilling moments in early horror cinema. After having inadvertently resurrected the Mummy, which we see slowly opening its eyes as the scroll’s contents are recited, Ralph Norton (Bramwell Fletcher), a young archaeologist, sets about studying t...

As part of this week's Boris Karloff blogathon , we continue to take a look at the Uncanny One's work with distinguished producer Val Lewton. With work on Isle of the Dead coming to halt only days into the shoot due to Karloff needing to have a spinal operation, Lewton began working on his next film – The Body Snatcher . In early 1944, the ‘period thriller’ began to gain popularity again. Titles such as Gaslight and The Lodger had proved immensely popular with wartime audiences who relished the opportunity to step back in time to find their chills and thrills. After the 1930s cycle of horror films, Lewton had helped ‘Americanise’ and modernise horror with the contemporary Cat People , and many other filmmakers had followed suit; however it soon came to pass that period films were hot again, and Lewton, not content to just remix past glories, was eager to try and make his own mark on the period horror film. Lewton thought it appropriate to return to the world of literatu...

Dir. Tod Browning After my post yesterday about Bram Stoker and the fact that the whole of Dublin is reading Dracula this month , I found myself craving a peek at Universal’s classic adaptation of Stoker’s novel again. Featuring Bela Lugosi in his most iconic role, and some of the most memorable imagery from the whole Dracula mythos, courtesy of controlled direction from Tod Browning, Dracula is always a darkly bewitching film to indulge in. Opening with the spooky bit from Tchaikovsky’s Swan Lake , a highly dramatic and romanticised mood is instantly evoked. This adaptation opts to open with Renfield, not Jonathan Harker, travelling to Transylvania on business with the mysterious Count Dracula. Now seeming like rudimentary cliché, he stops off briefly at a local inn and is warned of the dastardly Count and his dubious ways. Quashing the local’s protests to turn back and ignoring their hushed whispers of ‘the Nosferatu’, he continues on his way and meets with a sinister carriage...

1957 Dir. Jacques Tourneur Understated and immensely provocative, Tourneur’s Night of the Demon pays homage to the films the director made with producer Val Lewton in the early 40s ( Cat People, I Walked with a Zombie and The Leopard Man ). Regarded as a classic of the genre, and testament to the power of suggestion and evocation, Night of the Demon is based on a short story by MR James: 'The Casting of the Runes.' Dana Andrews plays skeptical American psychologist Dr John Holden, who comes to England to investigate and disprove the supposedly supernatural acts of a sinister cult led by Dr Julian Karswell (Niall MacGinnis). Upon his arrival he discovers his friend and colleague Professor Harrington (Maurice Denham) has died under mysterious circumstances. Accompanied by the late professor’s niece Joanna (Peggy Cummins), Holden investigates the matter further only to become ensconced in a dark and uncertain world where the supernatural is frighteningly real. Much of...