Behind the Couch

Diabolique is a bimonthly magazine covering every aspect of the horror genre, including film, literature, theatre, art, music, history and culture. Lavishly illustrated in full colour, each issue is packed with entertaining and thought-provoking articles. After a brief hiatus, Diabolique is now back in print and better than ever. At the helm is a new team of editors ( Kat Ellinger, Samm Deighan, Heather Drain and Rebecca Booth ) whose knowledge of horror cinema is surpassed only by their passion for it; not to mention their dedication to resurrecting Diabolique in print form and building on its legacy of thoughtful, insightful and compelling content. "Diabolique Magazine is back in print with an entire issue dedicated to celebrating Japanese and Korean cult cinema at its most sublime, otherworldly, erotic and visceral. In our cover story we explore the darker elements of Japanese folklore; tracking the evolution of the ghost story from genre defining classics Onibaba, K...

Exquisite Terror is an independently produced periodical, the intention of which is to take a more academic, analytical approach to the genre of horror. Exquisite Terror 4  has been quite a while in the making, thanks mainly to the burglars who broke into our editor’s home and, amongst other things, made off with the laptop that contained a pretty much ready-to-go issue 4. This meant that the issue had to be completely started from scratch. A true labour of love, indeed. The saying that all good things come to those who wait must be true, because lo, Exquisite Terror 4 is finally in the bag and available to pre-order. And it’s really been worth the wait… Now featuring even more content than before, inside you'll find in-depth essays and articles on the likes of The Texas Chain Saw Massacre , Jim Van Bebber, Berlin’s newest horror production outfit, an examination of The Silence of the Lambs from page to screen, my own essay on the folkloric, literary, and cinematic repre...

" Obviously what's happening in the world creeps into any work, it just fits right in. Because that's where it comes from, where the idea comes from, where you get the idea in the first place ." George A. Romero Horror cinema flourishes in times of ideological crisis and national trauma - the Great Depression, the Cold War, the Vietnam era, post-9/11. Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present , a brand new book by Jon Towlson, argues that a succession of filmmakers working in horror - from James Whale to twisted twins Jen and Sylvia Soska - have used the genre, and the shock value it affords, to challenge the dominant ideologies of these times. Spanning the decades from the 1930s onwards, Subversive Horror Cinema is a critical examination of the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna - and the ways in which films like...