Behind the Couch

1977 Dir. Lawrence Gordon Clark The removal of an ancient menhir from a family’s back garden unleashes a blood curse upon an unwitting woman. This was the seventh and last instalment of A Ghost Story for Christmas to be directed by Gordon Clark, and the first to feature an original story – not an MR James adaptation – in a then contemporary setting. Written specially for television by Clive Exton, Stigma is also much more graphic than any of the other Ghost Story for Christmas films and features a bleak and doomful tone that, while perfectly in keeping with the sombre tone of the earlier James adaptations, also echoes Exton’s prior work such as Doomwatch (1972) and Survivors (1975–1977) . That the horror plays out within the cosy home of a middle class family enhances the impact. Like all good horror stories it features very ordinary people, mundane even, caught up in an incomprehensibly extraordinary situation. The blending of the ancient (the standing stones) with the t...

2013 marks the 40th anniversary of the The Wicker Man's original release. In celebration of this, and continuing its project to conserve, restore and release for future generations the best of Classic British cinema, STUDIOCANAL announced its intention to release the most complete version of the film possible. The now widely lauded film was released with minimal promotion in 1973 as the second feature of a double bill with Don’t Look Now . The version exhibited to audiences was significantly shorter than director Robin Hardy's original vision. In what has now become an apocryphal episode in British film history, the negatives disappeared from storage at Shepperton Studios, and were then allegedly ended up in a landfill, lost forever. STUDIOCANAL are now appealing worldwide to film collectors, historians, archivists, programmers and fans to support the campaign and come forward with any information relating to the potential whereabouts of original materials. Director Robin...

Set in the remote highlands of Scotland, and inspired by the unsettling and bleak tales of H. P. Lovecraft and the creepy Slender Man mythology, Lord of Tears is a forthcoming gothic chiller that, if these striking images are anything to go by, should prove to be an immensely atmospheric and nightmarish yarn indeed. Written by Sarah Daly, it tells of James Findlay, a teacher tormented by childhood memories of a strange and unsettling entity – an owl-headed figure dressed in Victorian attire and sporting elongated limbs and sharp talons. After the death of his mother, the nightmares return and with them, a familiar, watching presence. As James faces a descent into madness, his only hope to fight his tormentor, to banish the evil that haunts him, is to return to his childhood home. He travels to the lonely mansion in the Scottish Highlands, a place notorious for its tragic and disturbing history. There, he must uncover, once and for all, the chilling truth behind the immortal stalker...

2011 Dir. Robin Hardy Based on Hardy’s own novel Cowboys For Christ, The Wicker Tree isn’t so much a sequel to The Wicker Man , more a curious companion piece. Incorporating many of the same themes, it is the tale of two young chaste American missionaries who travel to the wilds of Scotland to preach the gospel of Jesus Christ to people who ‘don’t believe in angels.’ Seemingly embraced by the local community, the pair are invited to participate in the annual May Queen celebrations, with inevitably fatal consequences… The Wicker Man cast a long shadow over cult horror cinema. While it is none other than Robin Hardy who has returned to plough the furrow of folk horror, religious extremism and earthy sensuality he tilled with that film, the results this time around are much less fertile. The source material, his novel Cowboys For Christ , unfurled as a slow-burning, evocatively written work that pitched modern evangelical Christianity against paganism and built slowly and surely...