Behind the Couch

2010 Dir. John Carpenter After she sets fire to a house, troubled Kristen is incarcerated in a psychiatric hospital. It isn’t long before she becomes acquainted with the other patients and realises that all is not as it seems in the hospital. Odd occurrences are afoot and gradually the number of inmates begins to dwindle. Are the stern doctors and their experimental treatments to blame? Or is something more supernatural afoot? When she fails to convince the staff that someone, or something, stalks the corridors at night, Kristen decides to take matters into her own hands… Mild chills and a slew of shock/jump moments ensue. John Carpenter has created some of the most seminal, defining films in the history of genre cinema. His early filmography reads like a ‘greatest hits’ of cult cinema: Halloween, Assault on Precinct 13, The Thing, Escape from New York, Dark Star, The Fog, They Live, In The Mouth of Madness, Prince of Darkness, Big Trouble in Little China . While later films su...

As part of this week's ongoing Boris Karloff blogathon , we take a look at the Uncanny One's final collaboration with distinguished producer Val Lewton – the 1946 Period-Horror-‘Message’-movie hybrid, Bedlam . Be sure to check out a list of links to other Karloff related goodness over at Frankensteinia: The Frankenstein Blog . After the success of The Body Snatcher and with Isle of the Dead finally wrapped and ready to be released, RKO decided to ‘reward’ Lewton by upping his budget for what would transpire to be his last B Horror movie for them. As well as receiving $350,000 Lewton was also given a staggering 8 months for post-production – unheard of for a B movie at the time. Following on from Isle of the Dead and The Body Snatcher , Bedlam was another ‘period’ film with astounding attention to detail lavished upon it, and like Isle of the Dead was also inspired by a painting – William Hogarth’s Bedlam Plate 8: The Rake’s Progress . The script was written by directo...

2001 Dir. Brad Anderson An asbestos removal firm headed by harassed and down-on-his-luck Gordon (Peter Mullan) begin working in an abandoned psychiatric hospital. Under pressure to get the job finished in as little time as possible, the close-knit group begins to fracture and unravel as the oppressive atmosphere of the building entwines itself with their already troubled and fragile psyches, leading to the unveiling of sordid secrets, mental break-down and murder… In the wake of films such as The Blair Witch Project (1999) and The Sixth Sense (1999), many horror films utilised a more subtle approach in their efforts to terrify and extract more cerebral chills. The ‘less is more’ approach of film makers such as Val Lewton is strongly evident in Session 9 , a film that perversely revels in its icy suggestiveness and shadowy menace. Even without showing us something scary, Anderson conveys a particular tone of psychological horror in much of the dialogue: characters discuss the fa...

1974 Dir. Pete Walker British director Pete Walker is often unfairly overlooked in the history of British horror cinema. In a time when Hammer was, well, ‘hammering’ out elaborate gothic fantasies set in far off lands full of superstitious locals, middle class genteel types and otherworldly monsters, Walker was setting his more grimy tales firmly in contemporary England. His horrors spewed out within grotty bed-sits, bleak London streets and hideous seventies décor. Frightmare explores notions of family, generational conflict and authority, with graphic and, dare I say it, gritty enthusiasm. The film follows the exploits of Dorothy Yates (Sheila Keith). Released from incarceration after fifteen years, Dorothy is not as reformed or rehabilitated as her carers would like to believe. She is, in fact, utterly deranged. As soon as she is released she resumes alleviating her insatiable appetite for human flesh. Setting up a tarot-reading service in her home, she lures innocents vict...