Behind the Couch

This month marks the centenary of cult screen legend Donald Pleasence, and to celebrate I went along to a special screening of The Flesh and the Fiends as part of the BFI’s Projecting the Archive series. Based on the Burke and Hare murders that horrified early 19th century Edinburgh, The Flesh and the Fiends blends morbid gallows humour with violence, shrewd socio-political commentary, and a dank and sombre atmosphere. When he cannot legally obtain cadavers for his research, Dr Knox (Peter Cushing) turns to resurrectionists Burke and Hare (Donald Pleasence and George Rose), who use whatever means necessary to ensure the corpses they procure are as fresh as can be... including murder! While the dark deeds of these nefarious individuals have been adapted for cinema quite a few times throughout the years - Burke and Hare (2010), The Body Snatcher (1945), I Sell the Dead (2009) - The Flesh and the Fiends stands out due to vivid performances from Peter Cushing, Donald Pleasen...

While staying with my parents recently in my home town of Lurgan, County Armagh, I naturally decided to pay a visit to a few of the local graveyards. Top of my list was Shankill Graveyard. Located just outside the town centre, and surrounded by a residential area, the site upon which Shankill cemetery stands was a place of worship in earlier centuries. Shankill Parish church was originally situated here before it was eventually moved to the town centre. The outline of a double ring fort is still noticeable. Amongst those at rest in the cemetery are the Brownlow family, who established the town in 1610 when they were given land beside Lough Neagh by the British government during the Plantation. They eventually contributed to the development of the linen industry the town became famous for throughout the seventeenth century. Their family vault is situated in the centre of the cemetery where the old church once stood. Apparently, well off English families such as the Brownlows, sough...

As part of this week's Boris Karloff blogathon , we continue to take a look at the Uncanny One's work with distinguished producer Val Lewton. With work on Isle of the Dead coming to halt only days into the shoot due to Karloff needing to have a spinal operation, Lewton began working on his next film – The Body Snatcher . In early 1944, the ‘period thriller’ began to gain popularity again. Titles such as Gaslight and The Lodger had proved immensely popular with wartime audiences who relished the opportunity to step back in time to find their chills and thrills. After the 1930s cycle of horror films, Lewton had helped ‘Americanise’ and modernise horror with the contemporary Cat People , and many other filmmakers had followed suit; however it soon came to pass that period films were hot again, and Lewton, not content to just remix past glories, was eager to try and make his own mark on the period horror film. Lewton thought it appropriate to return to the world of literatu...