Behind the Couch

After reading the sad news about filmmaker Jamie Blanks , I felt compelled to revisit some of his work. I’ve already written about Urban Legend (one of my all-time favourite slasher films), with its irresistible premise, top-notch cast and slick execution, and his eerie eco-horror Long Weekend , so thought I’d turn my attention to his early 2000s slasher, Valentine . It tells of a group of girlfriends - Paige (Denise Richards), Kate (Marley Shelton), Dorothy (Jessica Capshaw), Shelley (Katherine Heigl) and Lily (Jessica Cauffiel) – who, in the days leading up to Valentine’s Day, are targeted by a mysterious killer wearing a cherub mask. A solid slasher with a strong cast, creepy masked killer and several frenzied set pieces to get the adrenaline flowing, Valentine is a real throwback to classic, holiday-themed 80s slashers, such as My Bloody Valentine , Terror Train and Prom Night . Despite coming in the wake of a slew of post-modern, self-referential slashers in the late 90s, b...

A group of high school friends who were responsible for the accidental death of a classmate years before are targeted by a mysterious stalker at their senior prom. One of the first slasher films produced in the wake of the success of Halloween  (1978), Paul Lynch’s Prom Night strictly adheres to the now standard slasher blueprint, unfolding as a lean and moody potboiler. All the tropes, cliches and conventions are present and correct. Significant calendar date? Check. A group of hormonal teens for the body count? Check. A masked killer emerging to avenge a past misdeed? Check. Ineffectual authority figures? Check. A heroic final girl who will eventually defeat the killer? Check. Prom Night has it all, including Jamie Lee Curtis as its star! If there’s comfort in the familiar, then Prom Night is the goose down duvet of slasher films. The opening shot of an old, discarded mirror, reflecting the image of a creepy, abandoned building, conjures notions of the double, and ideas regardi...

A year after they cover up their involvement in a fatal road accident, a group of friends are targeted by a mysterious, vengeful killer. In their desperation, the friends seek help from the survivors of a similar massacre from years before. The original I Know What You Did Last Summer   came hot on the heels of  Scream (1996) and was a huge hit in the late 90s. It was a taut, effective throwback to minimalist slashers of the 80s, and very much a part of the late 90s slasher film revival, unfolding as a compelling story of the (violent) end of innocence. It spawned a Bahamas-set sequel a year later, in which the murderous fisherman pursues surviving heroine Julie James and her friends to a tropical island retreat, and a further, unconnected supernatural sequel in the 2000s (the events of which are not part of the cannon established by the first film). The I Know films were never as critically acclaimed as the likes of Scream , but they were still slickly produced, effective s...

One year after the brutal murder of her friends by psychotic fisherman Ben Willis, Julie James continues to struggle with the trauma and grief. When her BFF Karla wins a holiday to an island in the Bahamas, Julie hopes the change of scenery will help her put the nightmares behind her. However, someone is waiting for her on the island. Someone who still remembers the events of last summer , and the summer before. Someone who wields a hook and craves bloody vengeance and will stop at nothing to obtain it… Get ready for some sun, sea, solitude... and slaughter! Written by Trey Callaway and directed with stylish aplomb by Danny Cannon, I Still Know What You Did Last Summer might arguably be a generic slasher sequel, but it’s also a highly entertaining, well-made and atmospheric slasher sequel. Not only does it have a great cast (including Mekhi Phifer, Bill Cobbs, Jeffrey Combs, Jennifer Esposito, Jack Black and 70s soul singer Ellerine Harding ), but an interesting location, engaging her...

Directed by Jim Gillespie and written by Kevin Williamson - whose screenplay is loosely adapted from the YA novel of the same title by Lois Duncan -  I Know What You Did Last Summer tells of a group of friends who cover up their involvement in an apparently fatal car accident. One year later, their dark secret resurfaces in the form of a mysterious stalker intent on terrorising them and spilling their blood. Coming in the wake of The Craft and Scream , I Know What You Did Last Summer was produced in the late nineties, a time when teen horror was officially hot (titles such as Urban Legend , Halloween H20 , The Faculty  and Cherry Falls   would soon follow). Like Scream before it, it heralded the arrival of Kevin Williamson and his distinctive brand of horror drama, driven by likeable, literate, pop-cultured characters the audience were invited to care for. Williamson’s work slyly (and not so slyly) references, subverts and pays homage to the very tropes and conventio...

A young college student who remains on campus alone during Thanksgiving falls prey to members of a cult intent on hunting her and killing her. With its simple premise and highly suspenseful execution, Kristy is a back-to-basics adrenaline-fuelled exercise in lean, mean tension. Anthony Jaswinski's screenplay takes a few moments to set the scene, introduce protagonist Justine (Haley Bennett), outline her situation in the broadest of strokes, before it gets down to the business of terrorising her – and the audience. As the campus empties, we follow Justine as she bids farewell to her boyfriend and goes about her day, complete with a melodically scored montage of her dancing along empty hallways, studiously poring over books, running, swimming, doing her laundry and chatting with the friendly caretaker (James Ransone) and security guard (Matthew St Patrick).  Things are grand, if a little sad and lonely for Justine. She misses her family but takes it in her stride and keeps herself bu...

This underappreciated backwoods-slasher is a top-tier example of the subgenre, demonstrating just how powerful and effective the slasher can be as a form of storytelling. Released in the early 80s, the Golden Age of the slasher film, Just Before Dawn combines eerie atmospherics and breathless suspense, emerging as a survivalist horror creeper with echoes of an environmental message. Its premise is standard slasher fare (but hey, that’s why we’re here, there’s comfort in the familiar) as a group of friends head into the mountain forests of Oregon to explore a piece of inherited land, only to fall foul of a sadistic killer who picks them off one by one. Hmm, a backwoods slasher in which city-folk camping in a deep, dark forest are brutalised by a hulking, machete-wielding bogeyman? Sounds familiar, doesn’t it? Just Before Dawn is far from a Friday the 13th clone though. While it was released the same year as Friday the 13th Part 2 and The Burning , it’s a very different beast: relative...

I recently wrote an essay on the 1981 Gothic slasher film Hell Night , exploring the influence of folklore and cautionary fairy tales on its narrative. Following in the wake of titles such as Halloween , Friday the 13th , Terror Train , My Bloody Valentine , The Prowler and Prom Night , Hell Night  was produced at the height of the 'Golden Age' of slasher films (1978 - 1984). While it strongly adheres to typical slasher conventions, it offers interesting variations with its eerie fairy tale subtext and social commentary on the dangers of rites of passage initiations and social indoctrination. If you're interested in reading more, my piece has been published in the latest issue of We Belong Dead and you can pick up a copy here . 

Directed by Michael Felsher and written by Adam Marcus, this documentary commemorates the 30th anniversary of the most controversial entry in the Friday the 13th film series, Jason Goes to Hell: The Final Friday . It unfolds as an irreverent and gushing love letter to not only the film’s avid fanbase, but its characters, cast and crew, and charts its ascent from maligned ‘dreck’  and ‘confusing mess’  to cult classic slasher. Several years in the making, Hearts of Darkness was funded entirely by a crowdfunding campaign on IndieGoGo and has been an obvious labour of love for all involved in its production.  Jason Goes to Hell was the ninth film in the Friday the 13th series and the first to be produced by New Line, who had purchased the rights to the character of Jason Voorhees from Paramount in the early Nineties. Co-written by Dean Lorey and Jay Huguely, and based on a story by Huguely and Adam Marcus, it is infamous for its daringly eschewed approach to the classic...

Maya and her boyfriend Ryan are driving across the country so she can attend a job interview. When they stop off in a small town, their car breaks down and they’re forced to stay the night at an Air B&B in the surrounding woods. After dark they are menaced and brutalised by three masked strangers.  A reboot in the form of a prequel that could also be a remake, The Strangers: Chapter 1 is the first in a new trilogy of films set to follow the exploits of the three titular antagonists. Taking its lead from Leigh Janiak’s Fear Street Trilogy , the films have been shot back to back and are set for release in fairly quick succession. As the first instalment, Chapter 1 sets the scene and unfolds in an enjoyable if perfunctory way (it's very much a re-tread of the original 2008 film). The main issue is, it sticks too closely to the blueprint of the first film (hence it feeling like a remake), and when a number of moments from the original are replicated, they just don't muster t...

Directed by RKSS (Roadkill Superstars, aka trio François Simard, Anouk Whissell, and Yoann-Karl Whissell) and written by Alberto Marini, this merciless slasher features a cast of idealistic Gen Z activists who are violently picked off by a deranged security guard after they sneak into a huge furniture store to stage an environmental protest. While it touches on some very current social topics - environmental activism, nonviolent civil disobedience, social media, and arguably even corporate employee vetting processes - at heart, Wake Up is an old-school slasher, with a simple premise that is well executed (sorry!). Extraneous frills like characterisation, motivation and backstories are trimmed right down, leaving a lean, mean, cat-and-mouse narrative, with brutal violence and a certain sense of hopelessness running throughout. When the store closes in the evening, the gang come out of hiding to spray graffiti and deface displays with bags of blood procured from a butcher. They film eve...