Behind the Couch

When the Creed family move into their new home, they discover a pet cemetery in the woods behind their house. After a tragic accident, the grieving father learns through local folklore that another burial ground, much more ancient and deeper into the woods, has the power to raise the dead…  Based on the novel by Stephen King (and adapted for screen by the author) Pet Sematary is a rumination on death, grief and the darkness of the human heart when it wants something so much it doesn’t consider the consequences. King once admitted that of all his work, nothing scared him or troubled him as much as Pet Sematary . In the book’s introduction, he recounts the events that inspired it: ‘I simply took existing elements and threw in that one terrible what if . Put another way, I found myself not just thinking the unthinkable, but writing it down.’ Influenced by WW Jacobs’ short story The Monkey’s Paw , which is also about death, grief and the unspeakable horror that follows when a loved on...

Stephen King’s tenth novel, Cujo (1981), tells of a young woman and her infant son who are trapped in their car at an isolated farmhouse when confronted by a rabid dog. It was adapted for film by Lewis Teague in 1983 and the adaptation features all the sweltering claustrophobia and intensity that made King's novel so gripping. Teague’s adaptation - which, like King's novel, also explores themes such as addiction, free will, childhood fears, adultery and familial dysfunction - is the subject of a new book by Melbourne based author and film historian, Lee Gambin. Nope, Nothing Wrong Here: The Making of Cujo (BearManor Media) is a staggeringly detailed work featuring academic scene-by-scene analyses alongside in-depth interviews with key members of the cast and crew, including stars Dee Wallace, Daniel Hugh Kelly and Danny Pintauro, director Lewis Teague, and composer Charles Bernstein. I recently had the pleasure of chatting to Gambin about his new book and the unyielding...

Stanley Kubrick’s The Shining (1980) needs little introduction. Adapted from Stephen King’s chilling bestseller, it is an undisputed masterpiece of horror cinema, featuring a bleak atmosphere, striking visuals, frenzied performances, and an utterly unshakable, creeping sense of dread. It has long been an absolute favourite of mine, but I have always been somewhat hesitant to write a review of it; after all, what is there to say about it that hasn’t already been said? As there is indeed already so much to say, where on earth do you begin when just writing a straight-up review? An intimidating prospect to be sure, but it’s good to challenge yourself, isn’t it? With a little advice and much encouragement from the editor of Eye for Film (thank you Amber), I closed my eyes, opened my mind and took the plunge. Head over to Eye for Film to read my humble (and probably too gushing) take on The Shining , and the special features available on the Blu-ray it has just been released on...

2007 Dir. Frank Darabont There be evil in that there mist! Stephen King adaptations can be tricky. And often quite schlocky. For every Carrie or The Shining , we get a The Mangler . Not that this is a bad thing, mind. I mean, look whose blog you're reading! I positively delight in this stuff.  Having helmed The Shawshank Redemption and The Green Mile , Frank Darabont is no stranger to King’s work. The Mist provides us with his first adaptation of one’s of King’s horror stories, though it’s easy to see why the director chose this novella to film. All the ingredients are ripe to make a gripping ‘small-band-of-people-seek-refuge-in-one-location-from-mysterious-force’ movie, akin to Night of the Living Dead or any number of John Carpenter films. The Mist however, manages to exploit the formula for all its worth and Darabont turns in a finely honed piece of taut and suspenseful cinema that still manages to feel fresh and, most importantly, surprising. The characters are...