Behind the Couch

Under the Shadow is the slow-burning and intensely creepy feature directorial debut of Iranian filmmaker Babak Anvari. It is ripe with socio-political commentary. And utterly terrifying. Utilising a culturally specific entity from Iranian mythology, Anvari confronts uncomfortable truths of certain cultural realities, particularly those experienced by women. By setting the story in Tehran during the Iran–Iraq War (1980–1988), when the city was repeatedly targeted by airstrikes in which thousands of civilians lost their lives, Anvari also addresses the traumatic realities faced by ordinary people living in a war-torn society. When her doctor husband is suddenly transferred to treat the injured at the frontlines, Shideh (Narges Rashidi) and her young daughter Dorsa (Avin Manshadi) remain at home. As missile attacks on the city occur almost daily, mother and daughter spend long periods of time in the bomb shelter beneath their building. Their relationship soon becomes strained as th...

Who’s the Fairest of Them All by Bernie Wrightson Myths survive as long as they speak to something fundamental in the human psyche, and notions of humans transforming into animals and monsters have fascinated and terrified us for millennia. It is an idea that speaks of the primal, animalistic impulses that lurk within all mankind, and it nestles in the dark corners of most, if not all cultures around the world. Throughout folklore and archaic literature the figure of the werewolf is depicted as a cursed and shunned individual, thought to have no control over his or her bestial urges which accompany the dreadful transformations from man to monster. A person was believed to become a werewolf if they were excommunicated from the church, or if they were born on Christmas Day. They could also become a werewolf if they were cursed, or if lycanthropy ran in their family (tainted bloodlines), or by performing certain black magic rituals or sometimes, just through sheer force of will. ...