Behind the Couch

Actress and screenwriter Daria Nicolodi has died at the age of 70. Her death, on 26th November, was announced by her daughter, Asia Argento.  Nicolodi was born in Florence, 1950, and made her film debut in the 1970 war film Uomini contro ( Many Wars Ago ) playing a Red Cross nurse. She came to fame in 1975 when she was cast as savvy investigative reporter Gianna Brezzi, in Dario Argento's classic giallo, Profondo rosso ( Deep Red ). This role would be hugely impactful, not only upon her career, but also her personal life, as she and Argento soon began a relationship and had a child together (Asia).  Nicolodi was integral in the conception of Argento's next film Suspiria (1977), which she co-wrote. A dark and violent fairy tale horror, Suspiria tells of a young ballet student who discovers the academy where she has enrolled is home to a coven of evil witches. Nicolodi had been inspired by tales of witches and black magic told to her by her grandmother, who claimed to have ha...

Dario Argento’s Suspiria needs little introduction. A nightmarish, hallucinatory carousel of a film, it is known to admirers of horror cinema for its exquisite cinematography, ear-shattering score, opulent production design and fiendish violence. Any sense of conventional narrative or characterisation takes a back seat to a full-on assault on the senses as the viewer is plunged head-first into a neon-Gothic nightmare of light, colour, sound and shadow. Regarded (and rightly so) as a horror classic, Suspiria is the subject of a new book by Alexandra Heller-Nicholas, a film critic from Melbourne, Australia. No stranger to extreme cinema, Alexandra is the author of ' Rape-Revenge Films: A Critical Study ' (2011), and ' Found Footage Horror Films: Fear and the Appearance of Reality ' (2014). She is also co-editor of the film journal Senses of Cinema , and a critic on Radio Triple R’s film programme, Plato's Cave . Alexandra very kindly agreed to a quick chat ab...

Devil's Advocates is a book series devoted to exploring the classics of horror cinema. Contributors to Devil's Advocates come from the worlds of academia, journalism and fiction, but all have one thing in common: a passion for the horror film and for sharing that passion. Each instalment delves into a specific horror film, exploring everything from its conception to its impact on genre cinema and wider popular culture. Titles thus far include Let the Right One In by Anne Billson, Witchfinder General by Ian Cooper, SAW by Benjamin Poole, The Descent by James Marriott and Carrie by Neil Mitchell. Excitingly, a forthcoming addition to the series will peer into Dario Argento’s occult classic, Suspiria . Author Alexandra Heller-Nicholas is a visiting fellow at the Institute of Social Research at Swinburne University of Technology in Melbourne, Australia. Her other books include Rape-Revenge Films: A Critical Study (McFarland, 2011) and Found Footage Horror Films: Fear...

2011 Dirs. Julien Maury and Alexandre Bustillo With Livid , the makers of Inside , one of the most intense and shocking of a recent slew of New Wave Gallic horror films, venture down a more fantastical, though no less traumatic route for their sophomore offering. When Lucy (Chloé Coulloud) begins training as a care worker for the elderly, she visits the imposing and isolated home of an ancient, barely alive former ballet teacher called Madame Jessel. The young woman hears rumours of forbidden treasures hidden within the house, and when she tells her boyfriend and his brother, the three decide to break in, steal the treasure, and leave town to begin anew somewhere else. Needless to say when they enter Madame Jessel’s vast and eerie abode, things don’t go according to plan, and the three find themselves at the mercy of a powerful witch with vampiric tendencies… Maury and Bustillo’s screenplay takes time to introduce and establish the three friends. They’re from a small fishing ...

Last month I went to see a very special screening of Dario Argento’s nightmarish, witch-infested classic, Suspiria , in Belfast’s Waterfront Hall. The screening, courtesy of those cool cats at the Belfast Film Festival, was accompanied by a live score performed by none other than original Goblin member and long time Argento collaborator, Claudio Simonetti, and his band, the Simonetti Horror project. Argento’s classic tells the terrifying tale of an American ballet student who enrols at an exclusive dance academy in Germany, only to discover - after several vicious murders and assorted weirdness - much to her horror, that behind the scenes lurks a witches' coven. Often hailed as Argento’s masterpiece, Suspiria is an overwhelming onslaught of vision, sound and colour. The director mercilessly bombards the audience with scenes of graphic violence, fantastical lighting, overwrought production design and an immensely atmospheric soundtrack courtesy of Italo prog-rockers Goblin. ...

Last night Belfast’s Waterfront Hall played host to a very special screening of Dario Argento’s nightmarish, witch-infested classic, Suspiria . The screening, courtesy of the lovely folks at the Belfast Film Festival, was accompanied by a live score performed by none other than original Goblin member and long time Argento collaborator, Claudio Simonetti, and his band, the Simonetti Horror project. My ears are still ringing… Suspiria , for the uninitiated, is the terrifying tale of American ballet student Suzy Banyon, who enrols at an exclusive dance academy in Germany. Her arrival coincides with a raging storm and the savage murder of another student. Increasingly odd occurrences and other grisly deaths suggest that there is something evil lurking within the school, and Suzy eventually discovers that it is actually a front for a witches' coven. Often hailed as Argento’s masterpiece, Suspiria is a visceral onslaught of vision, sound and colour. The viewer is bombarded by graph...

Director Dario Argento really needs no introduction. For over forty years now he has been responsible for creating some of the most important and controversial horror movies in cinema history and his work has influenced a slew of filmmakers. Famed for titles such as Deep Red, Suspiria and Opera , his films are inimitably stylish, atmospheric and dazzlingly shot, as well as being unbelievably violent and unnerving explorations of the darker side of human nature. Drawing from an encyclopaedic array of influences such as art, philosophy, literature, cinema and indeed Italy’s own rich and full-blooded culture, Argento continues to experiment and forge ahead in the creation of beguiling and devastatingly violent visions to this day. I recently had the absolute pleasure of conducting a brief interview with Dario Argento himself – words I never thought I’d type! With the help of Kamera Books’ Francesca Brazzorotto, who kindly set up and facilitated the whole interview, translating my ques...

2007 Dir. Dario Argento After 27 years Argento finally returned to the sinister figures of the Three Mothers to complete his trilogy that began with Suspiria (1977) and Inferno (1980). While wildly different in tone and style from the previous two instalments, Mother of Tears contains some of Argento’s cruellest, most sadistic imagery yet. And that’s saying something. The film follows the outrageous journey of art restoration student Sarah Mandy (Asia Argento) who, after witnessing the brutal murder of her colleague by three mysterious figures, soon realises that a powerful witch known as the Mother of Tears has returned to Rome and intends to unleash evil and untold heartache throughout the world. Argento teamed up with writers Jace Anderson and Adam Gierasch to pen the shocking and psychedelic Mother of Tears . Anderson and Gierasch also wrote Crocodile , The Toolbox Murders and Mortuary for Tobe Hooper . Argento insisted that Mother of Tears be as different from Susp...