Behind the Couch

The X-Files FAQ by John Kenneth Muir (author of, amongst a staggering array of other titles, The Unseen Force: The Films of Sam Raimi, Eaten Alive At A Chainsaw Massacre: The Films of Tobe Hooper, Wes Craven: The Art of Horror , and Terror Television: American Series, 1970-1999 ) is an in-depth exploration of Chris Carter's phenomenally popular cult 1990s science-fiction TV series. Muir's book explores the series in terms of its historical context - the Clinton era - and how this influenced the myriad story-lines involving conspiracy theories and a deep mistrust of the US government. The author looks at the show on a season by season basis, explores its key episodes, overarching themes and concerns, its creators, antecedents ( Kolchak: The Night Stalker ), descendants ( Fringe ), spin-offs ( The Lone Gunmen ) and cinematic outings.  The X-Files FAQ is an indispensable tome, not only for new fans of the series, but for established aficionados and anyone considering revi...

Armchair Thriller was a British television series, broadcast on ITV by Thames in 1978 and 1980. It was essentially a horror/supernatural orientated anthology series that specialised in adapting various spooky novels and stories. It consisted of two weekly 25 minute episodes, usually screened at 8pm on a Tuesday and Thursday evening. I’m too young to remember it, but a recent conversation with several ( ever so slightly) older friends alerted me to one particular episode of the series entitled Quiet as a Nun … Adapted from the 1977 novel of the same name by Antonia Fraser, Quiet as a Nun was a six part dramatisation revolving around Fraser's regular sleuth Jemima Shore, who revisits the convent where she was schooled following the mysterious death of one of the nuns. The nun, Sister Miriam, was a former friend of Jemima’s and she apparently starved herself to death in a ruined tower in the grounds of the convent. Jemima soon learns from the girls at the convent about a myste...

Trailblazer Ida Lupino was to moody, suspenseful film noirs and taut thrillers in the 40’s and 50’s, as Jamie Lee Curtis was to slashers throughout the 80s. Born in 1918 and beginning her acting career in the 30s, Lupino starred in many noirs and thrillers such as They Drive By Night, The Hard Way and On Dangerous Ground . She eventually went on to become a pioneering figure amongst women behind the camera in cinema. She was the first American woman to ever direct a film noir ( The Hitch-Hiker ) and her other feature directorial offerings, such as Outrage and The Bigamist , were concerned with themes and ideas regarding social issues, sexual abuse and bigamy. No mean feat considering she was making films in a post Hayes Code Hollywood. While her directorial offerings can’t really be described as straight ‘horror’, they still contain moments fraught with suspense, violence and unsettling moodiness, and she dabbled in hard boiled noirs and gritty B-movies. The Hitch-Hiker , one of...

As you may or may not be aware, this blog takes its name from a phrase in popular culture that apparently originated from commentary on Doctor Who – namely the actions taken by younger viewers being frightened by episodes of the show - particularly during the 1970s. According to Sam Leith, who wrote an article titled ‘Worshipping Doctor Who from behind the sofa’, the cliché that Doctor Who had us ‘hiding behind the couch’ whilst watching it – ‘is more telling in its tone than its questionable factuality. It connotes nostalgia and a pleasurable mixture of fright and fascination - but above all it connotes domesticity. It united fear and soft furnishings in the British mind.’ Apparently The Economist actually went so far as to present this notion of "hiding behind the sofa whenever the Daleks appear" as a British cultural institution on an equal par with Bovril and ‘tea-time’. Indeed, the phrase is so strongly associated with Doctor Who in the UK, that in 1991 the Museum ...

James, Donna and Maddy gather in Donna’s living room to sing a song . The three are united in their grief over their friend Laura Palmer’s death. Donna realises that James is falling for Maddy, Laura’s cousin, who also bears an uncanny resemblance to Laura. After the song, Donna leaves abruptly and James chases after her. Left alone in the living room, Maddy – who seems to share the same perceptive nature that Laura, and indeed several of the other townsfolk exhibited, and just seems able to sense when something is 'wrong' – feels a dark, creepy presence in the house. Suddenly she sees ‘Bob’ a filthy, lecherous man Laura wrote about in her diary, claiming he abused her and would eventually kill her, slowly appear in the room. He quietly skulks towards her from the other side of the room and we see it all from her point of view as she sits rooted to the spot with fear.   The sight of this dirty, carnal beast-man slowly advancing towards us and crawling over the couch with war...