Behind the Couch

1973 Dir. Richard Blackburn Set in 1920s rural America and filmed on an ultra-low budget, this deliciously weird and wonderful adult fairy tale tells of a young girl’s sexual awakening in the rustic abode of a female vampire. When 13-year-old church singer Lila (Cheryl Smith) receives a letter from the titular antagonist (Lesley Gilb) informing the girl her gangster father is close to death and longs to see her one last time, Lila runs away from her puritanical guardian, Reverend Mueller (Blackburn). On her journey she encounters various incarnations of aggressive male sexuality, from the sleazy ticket seller at the bus station and the lecherous man whose car she stows away in, to the coven of undead abominations lurking in the woods around Lemora’s home. Their advances serve to highlight Lila’s perceived vulnerability and objectify her burgeoning sexuality as she wanders somnambulantly through increasingly nightmarish landscapes. When she arrives at the home of Lemora, Lila init...

2014 Dirs. Taika Waititi and Jemaine Clement A documentary crew follows the bemusing exploits of a group of house-sharing vampires in this charming, oddly heart-warming comedy-horror from New Zealanders Taika Waititi and Jemaine Clement. From arguing over the cleaning rota and attempting to gain entry to the most hip and happening nightspots, to deciding what should be done about the dead vampire hunter in the basement, the utter banality of the situations the misfits find themselves in, renders their attempts to integrate with the outside world infectiously humorous. Head over to Exquisite Terror to read my full review . And remember, "We're werewolves, not swearwolves!" 

2011 Dirs. Julien Maury and Alexandre Bustillo With Livid , the makers of Inside , one of the most intense and shocking of a recent slew of New Wave Gallic horror films, venture down a more fantastical, though no less traumatic route for their sophomore offering. When Lucy (Chloé Coulloud) begins training as a care worker for the elderly, she visits the imposing and isolated home of an ancient, barely alive former ballet teacher called Madame Jessel. The young woman hears rumours of forbidden treasures hidden within the house, and when she tells her boyfriend and his brother, the three decide to break in, steal the treasure, and leave town to begin anew somewhere else. Needless to say when they enter Madame Jessel’s vast and eerie abode, things don’t go according to plan, and the three find themselves at the mercy of a powerful witch with vampiric tendencies… Maury and Bustillo’s screenplay takes time to introduce and establish the three friends. They’re from a small fishing ...

A long-time darling of the art-house film circuit, Jim Jarmusch is one of the most acclaimed directors working in America independent cinema today. While his latest offering, Only Lovers Left Alive , isn’t his first foray into genre cinema, it is his first take on the vampire film. And it’s as untypical as you’d expect from the man who brought us Night on Earth, Dead Man and Ghost Dog . It tells of ancient lovers Adam and Eve, who reunite when Adam contemplates taking his own life. A languid, mesmerising film, it follows the couple as they kick about Detroit attempting to find fulfilment and stimulation. No easy task when you’ve already seen and experienced everything life has to offer... Head over to Exquisite Terror to read my full review . While you're there, why not pick up a copy of Exquisite Terror , the periodical ? Taking a more academic, analytical approach to the genre — however not necessarily to focus on film alone — it features in-depth essays, exclusive, ha...

Nestled amidst the wildly uneven yet marvellously unrestrained film work of Tobe Hooper is Lifeforce , his 1985 adaptation of Colin Wilson’s cult 1976 novel, The Space Vampires . An audacious amalgamation of sci-fi and horror, Lifeforce revolves around the discovery of slumbering humanoid aliens in the tail of Haley’s Comet and the terror they unleash when brought back to earth for study. A critical and commercial flop upon release, Lifeforce has undergone something of a reappraisal in recent times. Co-written by Dan O’Bannon, it’s a solid B-movie that mesmerises with its sheer audacity, abundance of effects, intriguing ideas, bizarro chutzpah and, well, space vampires! Head over to Exquisite Terror to read my full review of this cult classic. While you’re there, why not pick up an issue of Exquisite Terror , an independently produced periodical with an academic, analytical approach to cinematic horror. Issues 1 - 3 are available now, and issue 4 is available to pre-orde...

2013 Dir. Neil Jordan Byzantium sees Neil Jordan return to vampire territory for the first time since Interview with a Vampire ; echoes of which abound throughout this compelling story of a mother and daughter whose dependency upon human blood, and each other, threatens to become their undoing. Adapted for screen by Moira Buffini, and based on her play, A Vampire Story , the film follows bawdy Clara (Gemma Arterton) and introverted Eleanor (Saoirse Ronan) as they seek sanctuary in a rundown guesthouse in a quiet English seaside resort. Not your typical vampire film, its character driven narrative dispels many of the usual traits associated with cinematic bloodsuckers. Dreamily filmed, Jordan’s careful direction beckons us into the story and immerses us within it. Odd and wonderful things are done in the reconstruction of vampire lore - there are no fangs, only thumbnails that become talons - and while a few conventions remain – blood dependence, immortality, needing to be invi...

1958 Dir. Terence Fisher Perfectly epitomising the brand of lurid horror Hammer is now famed for, Dracula is one of the most important titles in the history of British horror cinema. Despite its low budget, it boasts a rich gothic atmosphere, impressive production design and iconic performances from Christopher Lee and Peter Cushing. Jimmy Sangster’s screenplay, coupled with Fisher’s agile direction, not only streamlines Bram Stoker’s original novel, but accentuates the underlying sexual themes evident within it. Lee’s incarnation of Dracula emerges as a sexual predator, stealthily corrupting the morals of those he encounters. With feral ferocity he pierces the heart of polite Victorian society, unveiling repressed desires and creating lustful, hideously grinning she-demons in his wake... This new cut of the film includes previously excised moments such as Dracula’s bloody seduction of Mina and his decomposition in a shaft of sunlight at the film’s riveting denouement. Hea...

1964 Dirs. Ubaldo Ragona & Sidney Salkow Due to a mysterious immunity he acquired when bitten by a rabid bat (!), Dr. Robert Morgan (Vincent Price) is the sole survivor of a devastating global pandemic. By day he spends his time collecting supplies, strengthening his fortifications and destroying the bodies of the living-dead plague victims. By night he boards himself into his house, as hordes of the vampiric post-human creatures leave their hiding places and congregate outside his home, baying for his blood… How much isolation can one person take? Based on Richard Matheson’s chilling novel, I Am Legend, The Last Man on Earth is a creepy, upsetting and thought-provoking exploration of one man’s increasingly fragile mental state as he struggles to accept his isolated existence in a dark new world. This particular adaptation is the most successful in evoking the desperation, mounting hopelessness and quiet dread of its central protagonist: the other two adaptations, The Ωmega M...