Behind the Couch

Bad Milo! tells of Duncan, a mild-mannered office worker who, due to the huge amount of stress he faces at work and in his personal life, begins suffering from intense gastrointestinal pains. Much to his horror he discovers that his unusual stomach problems are actually caused by a tiny demon dwelling in his intestines. To make matters worse, said demon emerges to unleash bloody retribution upon those who have angered Duncan... With its pint-sized menace, light comedic tone, buckets of splatter and irreverent humour, Bad Milo! echoes the work of Frank Henenlotter, as well as other miniature-monster titles such as It’s Alive, Critters, Sewage Baby, Ghoulies , and of course, Gremlins . What is most surprising is that it unfolds as a strangely touching and highly quirky comedy about relationships and the pressures of modern society. Head over to Exquisite Terror to read my full review and win a copy of Bad Milo! on DVD. 

Directed by Tobe Hooper and produced by Steven Spielberg, Poltergeist (1982) is a slick, big budgeted, special effects laden extravaganza. It is also a well-written film – now considered a classic - with a sly commentary on the corrupting influence of television, the tribulations of suburban life, colonialism, the ill-treatment of Native Americans, the break-down of the nuclear family unit, and the damaging excesses of capitalism and consumerism. The influence of Spielberg is overwhelmingly evident in the film’s representation of the all American family, and their pursuit of the American dream. With Hooper in the director’s chair however, these moments appear almost satirical, and cracks soon begin to appear. To the central family’s horror, they realise their white, middle-class American dream is built upon the graves of indigenous people, and their suburban ideal crumbles when vengeful spirits abduct their young daughter, Carol-Anne... Head over to Eye for Film to read my ful...

Stanley Kubrick’s The Shining (1980) needs little introduction. Adapted from Stephen King’s chilling bestseller, it is an undisputed masterpiece of horror cinema, featuring a bleak atmosphere, striking visuals, frenzied performances, and an utterly unshakable, creeping sense of dread. It has long been an absolute favourite of mine, but I have always been somewhat hesitant to write a review of it; after all, what is there to say about it that hasn’t already been said? As there is indeed already so much to say, where on earth do you begin when just writing a straight-up review? An intimidating prospect to be sure, but it’s good to challenge yourself, isn’t it? With a little advice and much encouragement from the editor of Eye for Film (thank you Amber), I closed my eyes, opened my mind and took the plunge. Head over to Eye for Film to read my humble (and probably too gushing) take on The Shining , and the special features available on the Blu-ray it has just been released on...

'The Father of the English Ghost Story', Dublin-born Joseph Sheridan Le Fanu, is best known to admirers of Gothic fiction as the influential author of such chilling tales as Uncle Silas , The House by the Churchyard , The Strange Event in the Life of Schalken the Painter , and, perhaps most famously, the short story collection In A Glass Darkly , which contains Green Tea, The Room in the Dragon Volant, The Familiar, and, of course, Carmilla . Carmilla  (1872) was groundbreaking for its time, not least because of its subtle love affair between the two main female characters. Taking his cue from John Polidori’s The Vampyre (1819), Le Fanu’s darkly sensual tale, detailing the delicate yet increasingly sinister courtship of a young woman by a female vampire, further entwined the figure of the vampire with notions of forbidden sexuality. Le Fanu was deeply influenced by the historical figure of Elizabeth Báthory, a Hungarian countess who reputedly bathed in the blood of young...

2014 Dir. Alexandre O. Philippe Depending on your opinion, Danny Boyle either has a lot to answer for, or has not been given nearly enough credit for the popularity of zombie themed entertainment throughout the last decade. 28 Days Later arguably kick-started the current interest in zombie movies, and while it isn’t strictly speaking a 'zombie' film, Boyle took a fairly typical zombie movie template and fashioned a dark and breathlessly taut film which poked at the same slagheap of ideas and themes (infection, social collapse, global catastrophe) as George Romero’s earlier flesh-ripping classics. Shaun of the Dead quickly followed, and its success convinced studio honchos that zombies were hot again. This prompted them to, for once, throw money at George Romero, who is largely responsible for the overriding popular perception of zombies today anyway, to help him make Land of the Dead , a belated follow-up to his ‘Dead trilogy’. In the few years since then, zombies hav...

2014 Dir. Lowell Dean When small town, alcoholic cop Lou Garrou is cursed by a mysterious cult beneath a full moon, he transforms into a werewolf. Director Lowell Dean subsequently has a lot of fun with traditional werewolf film conventions while creating some interesting and original lore of his own. An energetic and highly entertaining romp, Dean's sophomore offering features a surprising amount of character development and back-story behind all the B-movie bravado and, in case you were in any doubt, WolfCop is as much fun as it sounds. And then some. Head over to Exquisite Terror to read my full review.

Liverpool-born Dorothy Kathleen Broster (1877-1950) is perhaps best known for her ‘Jacobite Trilogy’ of historical novels, The Flight of the Heron (1925), The Gleam in the North (1927) and The Dark Mile (1929). Much like Ediths Wharton and Nesbit though (more famous for works such as The Age of Innocence [1920] and The Railway Children [1905], respectively), Broster also turned her hand to writing fiction of a much darker nature, producing the bizarre collection of tales gathered together in Couching at the Door (1942). Obscure, atmospheric, elegantly penned and seriously odd, this batch of little chillers ranges from ghost stories boasting undeniably supernatural intrusions upon vulnerable characters, to subtle, Shirley Jackson-esque studies of obsession and fraying mindsets. Suffusing her stories with the everyday and the mundane makes them all the more effective, and at times Broster approaches what can only be described as ‘kitchen-sink Gothic.’ Her protagonists are usuall...

1997/2007 Dir. Michael Haneke A middle class family are taken hostage in their holiday home by two young men who force them to play sadistic games for their own amusement. Throughout Funny Games , director Michael Haneke strives to reawaken and stimulate audiences who have become accustomed to stylised cinematic violence and graphic imagery. The film not only assumes the form of a devastatingly cruel home-invasion narrative, but a scathing and darkly humorous critique on violence in modern cinema. Haneke explores, in typically cold and unrelenting fashion, contemporary audiences’ craving for violence and sadistic imagery, and the role we play when watching such films, forcing us think about how we interact with screen violence. It’s an isolating yet utterly involving film. Working as a reflexive commentary on audience expectations and violence in cinema, and an exercise in unrelenting suspense, it exhibits an acute self awareness as it keenly subverts conventional notions of ...

2011 Dirs. Julien Maury and Alexandre Bustillo With Livid , the makers of Inside , one of the most intense and shocking of a recent slew of New Wave Gallic horror films, venture down a more fantastical, though no less traumatic route for their sophomore offering. When Lucy (Chloé Coulloud) begins training as a care worker for the elderly, she visits the imposing and isolated home of an ancient, barely alive former ballet teacher called Madame Jessel. The young woman hears rumours of forbidden treasures hidden within the house, and when she tells her boyfriend and his brother, the three decide to break in, steal the treasure, and leave town to begin anew somewhere else. Needless to say when they enter Madame Jessel’s vast and eerie abode, things don’t go according to plan, and the three find themselves at the mercy of a powerful witch with vampiric tendencies… Maury and Bustillo’s screenplay takes time to introduce and establish the three friends. They’re from a small fishing ...

While staying with friends in Ballykinler, County Down, last weekend, I paid a visit to the ruins of Inch Abbey outside Downpatrick. Looming out of a hollow betwixt two drumlins (from the Irish 'droimnín', meaning 'little ridge') on the north bank of the River Quoile, Inch Abbey was founded by John de Courcy in 1180. De Courcy was an Anglo-Norman knight who invaded Ireland in 1176. During his conquest he destroyed Erenagah Abbey, and in an attempt to atone for this act, he established Inch Abbey on the same site. The site on which Erenagah Abbey stood, and where the ruins of Inch Abbey still stand, was originally an island in the Quoile marshes, and was plundered by the Vikings in 1002 and 1149. Inch is the Anglicised word for 'inish', meaning 'island.' The layout of Inch Abbey is in the shape of a cruciform and the east wing, still standing today, features striking examples of early Gothic architecture - particularly the arched windows. Inch Abbey ...

In a desperate attempt to reboot his flailing slasher movie franchise, a shady film director gathers a group of troubled young adults to participate in a reality TV show at an isolated and long abandoned summer camp. Inane dialogue, tensionless murders and convoluted plot twists ensue... Head over to Exquisite Terror to read my full review. While you're there, why not pre-order a copy of Exquisite Terror issue 4 ? Inside you'll find essays and articles on the likes of The Texas Chain Saw Massacre , Jim Van Bebber, Berlin’s newest horror production outfit, The Silence of the Lambs , and my own essay on the folkloric and literary heritage of Count Dracula. All for only £1.50. 

Exquisite Terror is an independently produced periodical, the intention of which is to take a more academic, analytical approach to the genre of horror. Exquisite Terror 4  has been quite a while in the making, thanks mainly to the burglars who broke into our editor’s home and, amongst other things, made off with the laptop that contained a pretty much ready-to-go issue 4. This meant that the issue had to be completely started from scratch. A true labour of love, indeed. The saying that all good things come to those who wait must be true, because lo, Exquisite Terror 4 is finally in the bag and available to pre-order. And it’s really been worth the wait… Now featuring even more content than before, inside you'll find in-depth essays and articles on the likes of The Texas Chain Saw Massacre , Jim Van Bebber, Berlin’s newest horror production outfit, an examination of The Silence of the Lambs from page to screen, my own essay on the folkloric, literary, and cinematic repre...