Opening with the words ‘David Lynch presents a film by Werner Herzog’; words that automatically instilled fluttering in this particular writer’s heart, My Son My Son What Have Ye Done? is a film that instantly suggests boundless possibilities, high expectations and the promise of something memorable, provocative and left of centre. The question is, does it live up to the promise? Of course it does. However, in true Lynch/Herzog fashion, it does so in unexpected ways that manage to surprise and delight.
Published just in time for readers to enjoy through the ever-darkening nights of October, SelfMadeHero’s latest offering is a second volume of graphic adaptations of the tales of MR James: a medievalist scholar and provost of King’s College, Cambridge, who is remembered today as the finest purveyor of ghost stories in the English language.
Adapted by Leah Moore and John Reppion, and featuring the illustrations of Meghan Hetrick, Abigail Larson, Al Davison and George Kambadais, the tales adapted for this volume include some of his best known work.
The latest review of my Devil’s Advocates book on The Company of Wolves comes courtesy of the lovely folks over at FrightFest, and it’s another really positive one. According to critic Steven West, book is a ‘multi-faceted, intelligent and highly accessible study’.
I’ve copied the full review below, and you can also check it out (along with a wealth of other film related reviews, news and features) over at FrightFest…
The early 80’s saw a mini-boom of werewolf movies reflecting the revolutionary advances in transformative make-up effects, which ensured that David Naughton did not have to disappear behind a conveniently placed desk while morphing into AN AMERICAN WEREWOLF IN LONDON. The John Landis movie and Joe Dante’s THE HOWLING brought a substantial degree of self-awareness and knockabout character-based humour to the sub-genre and have endured as modern horror classics. Other wolfman movies from the same period have enjoyed less latter-day attention, including Michael Wadlei…
Of all the folk and fairy tales known to us, the tale of Little Red Riding
Hood is perhaps one of the most enduring and provocative. In its most basic
form it is a tale of good vs. evil, and it is generally regarded as one of the
most effective expressions of sexual curiosity and the ultimate loss of
I recently wrote an article exploring the evolution of the tale and how its
meaning changed throughout the years - from its supposed origins as an oral
folktale warning girls of the dangers of predators, to Charles Perrault's
literary fairy tale adaptation warning young women against exploring their
Head over to Folklore Thursday to read the article, and for the chance to
win thyself a copy of my Devil's Advocates book on The Company of Wolves (Neil Jordan's Gothic fantasy film based on Angela Carter's feminist reworking of Red Riding Hood). After you’ve read the article, simply subscribe to Folklore Thursday's
lovely (and completely free) …