Skip to main content

Short Film Showcase: Witchfinder

2013
Dir. Colin Clarke

When a man ventures into the foreboding forest that surrounds his village to seek the help of a witch, their forbidden ritual is interrupted by witch hunter William Thatcher Blake. After sentencing the unfortunate pair to death for fraternising with the Dark Lord, Blake is cursed by the witch, and when he returns home, soon realises the full extent of her dark powers…

Colin Clarke’s short film unveils itself as an atmospheric love letter to vintage Gothic horror. Witches, ancient rites, dark woods and violent revenge are swirled together in a cinematic cauldron that expertly conjures the spectres of bygone horror. With a distinctly old fashioned feel, there are nods to the likes of vintage Hammer, Michael Reeve’s Witchfinder General and the gloomy dread and sadism of classic Italian Gothic horror. One moment in particular - the scene depicting the unfortunate witch’s demise - pays homage to Mario Bava's Black Sunday/Mask of Satan; right down to the shadow-play on a mask lined with spikes as it advances towards the woman’s face.

With a simple story, basic plot structure and a running time of just under twenty minutes, there’s very little messing around, as Clarke soon cuts to the chase, establishing a spooky atmosphere and creepy imagery, some of which echoes that seen recently in Rob Zombie’s Lords of Salem. Clarke’s witch-infested tale is a much more subtle affair though; for one, he knows when to use silence to his advantage. The complete absence of music in one later scene is tremendously effective, as Blake hastily leaves his house and stumbles through the dark with only the creaking of his lantern and the moaning wind present on the soundtrack. Val Lewton would be proud. The discovery of a wide open door after something goes bump in the night is also well staged, and when the witch finally reappears, it’s a haunting sight.



Clarke and co prove that nightmares don’t need a big budget in order to be effective; just technical skill, creative vision and passion and respect for the subject matter. With heaps of atmosphere - ably enhanced by a moody score courtesy of Brandon Lutmer and Mark Gustafson - grim tone, and spine-chilling denouement, Witchfinder is a well made short that casts all the right dark spells.

Popular posts from this blog

The Ash Tree

1975 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, The Ash Tree was the last of several MR James adaptations directed by Lawrence Gordon Clark. Written for television by David Rudkin, It stars Edward Petherbridge in the dual role of Sir Richard, an 18th century aristocrat who inherits the vast estate of his late uncle, and of Sir Matthew, his 17th century ancestor whose role in local witch trials, and the death of Ann Mothersole (Barbara Ewing), haunts Sir Richard.  With a slim running time (just over 30 minutes) The Ash Tree is one of the shortest entries in the series, but it is also one of the densest. The amount of detail and information packed in, without compromising or diluting the impact of the source material, is admirable. Clarke manages to convey events and flashbacks by utilising an interesting narrative structure and some ...

Mandrake (2022)

Mandrake tells of probation officer Cathy Madden (Deirdre Mullins), who is assigned to help with the rehabilitation of recently released ‘Bloody’ Mary Laidlaw (Derbhle Crotty), who had been incarcerated years prior for the murder of her abusive husband. Rumours have long swirled in the local area concerning Mary’s dabbling in witchcraft and involvement in cases of missing children. No sooner has she been released, than the bodies of several local children are found in the woods near her farmhouse. As Cathy and local police delve deeper, the veil between real and imagined starts to fray and Cathy is drawn into a dark world of occult ritualism and blood sacrifice. Directed by Lynne Davison and written by Matt Harvey, Mandrake is a delicious slice of witchy, Northern Irish folk horror, dripping with atmosphere and arcane lore. While Irish horror is having a moment right now, with acclaimed titles such as Aislinn Clarke’s Fréwaka and Kate Dolan’s You Are Not My Mother mining rich and cr...

Kensal Green Cemetery

During a recent visit to London, a friend and I decided to explore Kensal Green Cemetery in the west of the city. Founded as the General Cemetery of All Souls by barrister George Frederick Carden in 1833, Kensal Green was inspired by the garden-style cemetery of Pere-Lachaises in Paris. Comprised of 72 acres of beautiful grounds, it was not only the first commercial cemetery in London, but also the first of the ‘Magnificent Seven’ garden-style cemeteries established to house the dead of an ever-increasing population. Campaigners for burial reform were in favour of “detached cemeteries for the metropolis” and in 1832 Parliament passed a bill that led to the formation of the General Cemetery Company to oversee appropriate measures and procedures concerning “the interment of the dead.” The company purchased land for the establishment of Kensal Green in 1831 and held a competition in order to select an appropriate designer. Among the prerequisites in the brief provided to entrants, we...