A city couple relocating to a home in the forest discover a commune on the neighbouring land is home to a cult of sasquatch worshippers harbouring sinister secrets...
Opening the Cage: A Lizard in a Woman’s Skin by Keri O'Shea, is a meticulous and fascinating examination of Lucio Fulci’s dazzling, and oft overlooked, 1971 giallo , which tells of a woman plunged into a waking nightmare when she is accused of murdering her neighbour. O’Shea is the editor of Warped Perspective , a site dedicated to horror, sci-fi, genre film/TV and literature. I’ve really enjoyed and admired her work for years now and was excited to learn she had published a book on A Lizard in a Woman’s Skin . Her thoughtful analysis of the film begins by contextualising it within the Italian giallo tradition, before diving deeply into its key themes, including art, counterculture and the role of medicine, and a consideration of its striking aesthetics. She carefully dissects the film’s approach to traditional gender roles and power struggles and offers an intriguing look at the use of liminal spaces within its London setting to heighten the unnerving mood. Elsewhere, she explores...
1995 Dir. Joe Chappelle Six years after she and her psychotic uncle Michael Myers were abducted from the Haddonfield police station by the mysterious Man in Black, Jamie Lloyd and her newborn baby go on the run again with Myers’ in hot pursuit. Meanwhile, relatives of the family that adopted Laurie Strode have moved into the old Myers house and befriended Tommy Doyle, whose obsession with Myers’ leads to the discovery of a family curse that drives the killer to violently eradicate his bloodline – which is bad news for the Strodes. Teaming up with Dr. Loomis, they set out to stop Myers and the cult that protects him once and for all. With Miramax having purchased the distribution rights to the Halloween franchise, it was their intention to give the flailing series something of a reboot and to release further instalments through its newly established genre arm, Dimension Films. Following in the wake of the leaden Halloween 5: The Revenge of Michael Myers - complete with its amb...
Amer ('Bitter') has been causing quite a stir on the festival circuit of late. Filmmakers Hélène Cattet and Bruno Forzani have concocted a heady and mesmerizing brew that harks back to the dazzling and uber-stylised Italian gialli of the Seventies. Forzani and Cattet have set about recreating all the familiar motifs, visual codes, stylistic traits and clichés from the blood drenched and lurid archives of the giallo film. Classic gialli such as Deep Red, The Bird with the Crystal Plumage, Lizard in a Woman’s Skin , Your Vice is a Locked Room and Only I Have the Key and All the Colours of the Dark are paid tribute to in a virtually dialogue free story revolving around the concepts of obsession, sexuality, trauma and death. All this unfolds in a visual feast backed by pieces from classic giallo scores to create a stunning and haunting mood-piece that will sear itself onto your retina and into your nightmares long after its provocative array of images have finished strutting ac...