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Romasanta: The Werewolf Hunt

2004
Dir. Paco Plaza

Spain, 1851. The inhabitants of a small village are terrorised by a savage serial killer. Ravaged corpses bear both animalistic mutilation and precise surgical incisions. As the village is plunged into panic-ridden chaos, travelling salesman Manuel Romasanta eventually confesses to the crimes, but claims that he is not responsible for his actions because he is a werewolf…

Romasanta: The Werewolf Hunt is a sensual, unusual, boldly original and, at times, rather uneven take on the werewolf film. It is based on the true story of Spain’s first documented serial killer, Manuel Blanco Romasanta, who confessed to thirteen murders in the mid-nineteenth century. Writers Elena Serra and Alberto Marini (who specialise in lo-fi, brooding horror such as Darkness, The Machinist and The Fragile) have written a screenplay that concentrates more on presenting the story as a historical drama allegedly based on facts, than a typical monster movie, while director Plaza adopts the slow-burn approach to tease out the story. Before he upped his ante and co-directed the startlingly effective and terrifying camcorder horror [rec], Plaza made the subdued, moody psychological thriller The Second Name, co-written with British horror writer and MR James enthusiast Ramsey Campbell, and Romasanta’s low-key execution shares more in common with that film than the former.


While an interesting take on the genre, Romasanta: The Werewolf Hunt is nowhere near as full-blooded as it could be, and sadly it eventually just runs out of steam. In place of what should have been a feverish denouement, it just trails off, resulting in an effect akin to someone relaying an intriguing enough story, but just trailing off mid-sentence. Lush photography and elegant framing techniques ensure the film is always beautiful to look at, and a number of striking moments such as the flaming carriage rushing through the forest at night and the expertly realised and disturbing reverse transformation sequence will sear themselves onto the viewer’s retinas for some time to come. The period setting lends proceedings an irresistibly gothic atmosphere, and events languidly unravel in dark forests, quaint villages and isolated farmhouses. While story development and characterisation are a welcome aspect, the sluggish pacing does have a slight negative impact on proceedings.


Leads Julian Sands and Elsa Pataky carry the film, and Sands in particular ignites the screen whenever he appears. The classically trained theatre actor plays it straight and never once resorts to hamminess. He is equal parts charming and sinister – a part he is more than able to play considering some of his past roles, such as The Phantom in Dario Argento’s Phantom of the Opera and the dashing but deadly Yves Cloquet in David Cronenberg’s queasy Naked Lunch.

Romasanta: The Werewolf Hunt is an interesting and beautifully produced work. While it takes its time to build story and character, it cheats by not providing a fitting pay-off to equal the carefully sustained anticipation.

Romasanta was produced by Brian Yuzna’s Spanish film company Fantastic Factory, a company set up with Julio Fernández to produce modestly budgeted genre films for the international market using international genre talent as well as local talent. The lovely folks over at Arrow Video have gathered together a collection of Fantastic Factory’s output in one beautifully packaged boxset. It serves to highlight the work of an interesting production company and often overlooked filmmaker, Brian Yuzna, whose work, while sometimes uneven, could never be accused of not being interesting.

The Arrow Video boxset was released on 18th April 2011. It includes Romasanta: The Werewolf Hunt, Beyond Re-Animator, Arachnid and Faust: Love of the Damned.

Special features on the Romasanta disc include:

- Reversible sleeve featuring brand new and original artwork
- Romasanta: Lycanthropes, Lunacy and the Last Days of The Fantastic Factory
- Making Romasanta: Interviews with director Paco Plaza, stars Julian Sands, Elsa Pataky and John Sharian.
- A featurette on the S/FX design in Romasanta
- Interview with composer Mikel Salas
- Deleted Scenes with introduction and commentary by director Paco Plaza
- Original Trailer
- Double-sided fold-out poster featuring new artwork
- Collector’s booklet ‘Sex, Sun and Sinful Celluloid’ by author and critic Calum Waddell

2.35:1 (16x9) Anamorphic
English Stereo/Spanish 5.1 with optional English subtitles
Region 0 PAL
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