Behind the Couch

Perhaps best known for his collaborations with filmmaker John Carpenter, sound designer and composer Alan Howarth has contributed to some of the biggest genre films of the ’80s. His work with Carpenter on films such as Escape from New York, They Live and Prince of Darkness , resulted in some of genre cinema’s most striking and atmospheric scores. An award-winning sound designer, Howarth has also provided effects for the likes of Poltergeist, Bram Stoker’s Dracula and many of the Star Trek films. Head over to Exquisite Terror to read my interview with Mr. Howarth . Readers in and around London might be interested to know that Alan is performing live at Union Chapel on 31st October. Go here for more information.

2015 Dir. Kyle Rankin If there’s one subgenre of horror that has surely reached saturation point, it’s the zombie film. Yet time and again, it proves to be a robust and continually relevant aspect of horror cinema, with its ability to speak of various social and political issues and its knack for cross-pollination with other genres. Following on from the likes of Warm Bodies (2013), Boy Eats Girl (2005) and Shaun of the Dead (2004), Night of the Living Deb is the latest amalgamation of typical zombie movie conventions with those of the romantic comedy. A zom-rom-com, if you will. While it doesn’t really offer viewers anything they haven’t seen before it still endears with its misfit characters, witty script and quirky sense of humour.  Head over to Exquisite Terror to read my full review . 

2015 Dir. Adam Egypt Mortimer Part ghost story, part slasher film, Some Kind of Hate is an interesting if at times slightly formulaic tale of revenge. However, with its bleak karmic mantra and themes concerning the unique pain of adolescence, the devastating impact of bullying, self-harm and revenge, it’s a frequently intense viewing experience. Mercilessly tormented by bullies, troubled high-school loner Lincoln (Ronen Rubinstein) eventually snaps and violently retaliates. He’s packed off to a desert commune for young misfits, only to again suffer at the hands of bullies. His rage summons an undead avenger, herself the victim of bullying, who begins to wreak bloody havoc on his behalf... Head over to Exquisite Terror to read my full review .

Fang of Joy is an independently published zine that focuses on European horror and gialli. The brainchild of the insanely prolific Richard Schmidt ( Hello, This is the Doomed Show ; Cinema Somnambulist ; Doomed Moviethon ), it’s a labour of love that should appeal to admirers of European horror cinema. From Argento, Bava, Naschy and Ossorio, all the way to Laugier, Bustillo et Maury and Wheatley; if you like your horror with a European flavour, this is a zine for you.  Issue 3 contains articles, reviews and features on the likes of The Bird with the Crystal Plumage, Beyond the Darkness, The Black Belly of the Tarantula and The Torture Chamber of Dr. Sadism . There’s also an interview with Giovanni Lombardo Radice ( Stage Fright, City of the Living Dead ), an introductory guide to the films of Jess Franco, my own humble contribution - an essay on Irish horror cinema - and much, much more. Pick up a copy here . Also, if you’re the sort of person who just can’t get enough o...

Born from a love of horror, ponderous thoughts and meandering topics, Exquisite Terror is a periodical that takes a more academic approach to the genre, featuring exclusive art, script analysis and in-depth essays. We're having a sale at the moment, so if you'd like to pick up a copy, while stocks last, head here to do so. See below for further details on each issue... STARBURST “Fascinating and informative” BRUTAL AS HELL “Intelligent and enlightening” STRANGE THINGS ARE HAPPENING “One of the best horror zines out there” SEX GORE MUTANTS “Highly recommended”

RIP Wes Craven (1939-2015) Filmmaker Wes Craven, best known for intelligent and provocative horror titles such as A Nightmare on Elm Street, Scream and The Last House on the Left , has died at the age of 76. He had been diagnosed with brain cancer and passed away at his home in LA, leaving behind his wife Iya Labunka, and his two children Jonathan and Jessica. Craven’s impact on the landscape of shock cinema came early in his career with searingly gritty and subversive titles such as The Last House on the Left and The Hills Have Eyes . These films presented levels of violence and graphic realism in ways rarely seen before. What became clear though was that despite the brutality of his work, Wes Craven’s films were intelligent and strangely philosophical; he frequently addressed themes such as familial strife, generational conflict, class, race, teenage angst, dreams and man-made monsters. While at college he studied literature and psychology before moving on to earn a Master...

Few films of any genre have had the influence and impact of The Blair Witch Project (1999). Its arrival was a horror cinema palette-cleanser after a decade of serial killers and postmodern tongue-in-cheek intertextuality, a bare bones ‘found footage’ trend-setter. In this Devil’s Advocate monograph, Peter Turner tells the story of the film from its conception to its pioneering internet marketing campaign and critical reception. He provides a unique analysis of the mockumentary/non-fiction film-making techniques deployed by the film, its appeal to audiences and the themes that helped make it such an international hit (it made more than $140 million in the US alone). Turner also explores the film's lasting impact on the horror genre with a look at other found footage phenomena, such as the Paranormal Activity series, that followed in the wake of The Blair Witch Project . Head over to Exquisite Terror to read my review .

Devil's Advocates is a book series devoted to exploring the classics of horror cinema. Contributors to Devil's Advocates come from the worlds of academia, journalism and fiction, but all have one thing in common: a passion for the horror film and for sharing that passion. Each instalment delves into a specific horror film, exploring everything from its conception to its impact on genre cinema and wider popular culture. Titles thus far include Let the Right One In by Anne Billson, Witchfinder General by Ian Cooper, SAW by Benjamin Poole, The Descent by James Marriott and Carrie by Neil Mitchell. Despite its reputation as one of the greatest and most influential of all horror films, there is surprisingly little literature dedicated to Mario Bava’s Black Sunday (1960), and Martyn Conterio's contribution to the Devil’s Advocates series is the first single book devoted to it. Head over to Exquisite Terror to read my review . 

2014 Dir. Gerard Johnstone When delinquent Kylie is placed under house arrest after a botched robbery, she is forced to return to her childhood home and the guardianship of her overbearing mother and timid stepfather. A series of strange occurrences lead her to suspect the house is haunted and as she delves into the building’s history, she not only uncovers a darkly tragic past, but shady family secrets. Beginning as an oddball haunted house yarn, the plot of this New Zealand comedy-horror soon veers off into some very unexpected places; with each twist and turn the well measured pace and careful editing gradually build tension and intrigue, ensuring the viewer is riveted throughout. A rare gem in genre cinema, Housebound  is a comedy-horror that provides well timed laughs alongside genuine shocks, chills and suspense, sometimes in the same scene. Head over to Exquisite Terror to read my full review . 

Established in 2010, Belfast’s Wireless Mystery Theatre is an audio theatre company devoted to invoking the spirit of vintage radio suspense plays. Comprised of a small troupe of actors, writers and musicians, their productions incorporate live music and imaginative sound effects with players frequently multi-tasking and acting out different roles. Their most recent production, An Evening of Irish Horror , was a suitably spooky double-bill featuring adaptations of Sheridan Le Fanu’s classic ghost story ‘Green Tea’ - which tells of a timid clergyman who is hounded by a demonic spectral monkey - and Bram Stoker’s short story, ‘Dracula’s Guest’ - an excised segment from Dracula which documents a creepy encounter between Jonathan Harker and Count Dracula by the grave of the undead Countess Dolingen of Gratz... Head over to Exquisite Terror to read my full review .

Starry Eyes is the Faustian tale of an ambitious young actress whose encounter with a sinister production company propels her on a harrowing spiral into despair, madness and diabolism, as she attempts to make her dreams of fame a reality. At any cost… Enhancing the ominous atmosphere is a throbbing electronic score courtesy of LA based composer Jonathan Snipes. An electro love letter to the likes of John Carpenter, Fabio Frizzi, and Goblin, Snipes’ music is the perfect accompaniment to the protagonist’s hellish transformation. According to one critic, “its importance to the film’s ability to disturb cannot be understated.” With the recent release of the score on vinyl, courtesy of Waxwork Records, I thought it was high time we caught up with Jonathan, who very kindly agreed to an interview about his work on Starry Eyes.  Head over to Paracinema to read the interview and sample some of the score.  The following interview was published on Paracinema.net on 3rd July 2...

2015 Dir. Russell England During the 17th century, students of a prestigious school are spared a gruesome death by plague after they ritualistically murder four of their own in a Satanic pact. In present times, the building is still used as a boarding school, and when it shuts down for midterm holidays, six students from the cadet corps must remain behind to patrol the grounds as part of an initiative in basic military training. As the night progresses, personal conflicts become apparent within the group, and as they delve deeper into the history of the school, they are beset by increasingly odd occurrences... Head over to Exquisite Terror to read my full review . 

2015 Dir. John McNaughton A couple who attempt to keep their sick son in a completely secluded environment for the sake of his ailing health, find their rigidly controlled and isolated lives intruded upon by a recently orphaned young girl who moves into the house down the lane. What follows is a tale of domestic abuse, desperation and the exhumation of dark family secrets. An intense domestic psychodrama featuring disarmingly powerful performances from Samantha Morton and Michael Shannon, Can’t Come Out to Play is director John McNaughton’s first feature film in over a decade. While certainly a much more subtle affair than previous offerings such as Henry: Portrait of a Serial Killer and the sublimely trashy thriller Wild Things , it’s no less provocative or compelling. Head over to Exquisite Terror to read my full review .

Rest in Peace, Sir Christopher Lee. The Silver Screen will flicker a little dimmer without your commanding presence, gravitas and dignity. The Curse of Frankenstein (1957) Dracula (1958) The Mummy (1959) Horror Hotel (1960) Horror Hotel (1960) The Whip & The Body (1963) Dracula: Prince of Darkness (1966) On set with director Terrence Fisher The Devil Rides Out (1968) The Wicker Man (1973) The Man with the Golden Gun (1974) House of Long Shadows (1983) also starred Vincent Price, Peter Cushing & John Carradine Lord of the Rings Trilogy (2001-2003) The Hobbit (2012-2014) His most iconic role... Count Dracula With dear friend and frequent co-star, Peter Cushing

Betsy Palmer, 1926-2015 Actress Betsy Palmer, best known for portraying Pamela Voorhees in Friday the 13th and Friday the 13th Part II , has passed away at the age of 88. Palmer died of natural causes at a hospice care centre in Connecticut on Friday 29th May. She is survived by her daughter, Melissa Merendino. While Palmer will always be remembered for her role as Jason Voorhees’ tragic mother, she had a long and versatile career on stage - appearing in Broadway plays such as On Golden Pond, Cactus Flower and Same Time, Next Year - and television - starring in the likes of Knots Landing, As the World Turns and Murder, She Wrote.  Palmer famously stated that she only took on the role of Mrs Voorhees because she needed a new car. Despite initially disowning the film, and its sequel, in which she had a cameo appearance, Palmer eventually embraced it, frequently appearing at horror conventions to meet with hordes of adoring fans. In Peter M. Bracke’s 'Crystal Lake Memo...

2014 Dir. John Shackleton A rather curious hybrid, John Shackleton’s Brighton-based The Sleeping Room is part psychological horror, part ghost story. It tells of Blue (Leila Mimmack), a young call-girl with a troubled past who strikes up an unlikely, and forbidden friendship with one of her clients, a young man restoring an old house by the seafront. When she inadvertently discovers she has ties to the old house, which used to be a brothel, and a possible shared history with its devious and debauched tenants, she desperately attempts to reconcile herself with a dark family secret. Head over to Exquisite Terror to read my full review .

2013 Dir. Renaud Gauthier Disco isn't dead, but you just might be! With its admittedly ludicrous plot concerning the bloody exploits of a serial killer whose rampage is triggered when he hears disco music, Discopath unspools as a soiled love letter to grindhouse exploitation shockers such as Maniac, The New York Ripper , Pieces and Don’t Go in the House . With its retro-sleaze appeal, trashy aesthetic, low budget charm, practical FX and vintage-sounding synth score, it perfectly emulates the creepy, gritty atmospheres of those psycho-on-the-loose flicks of yore, while also echoing exuberantly violent Eurohorrors such as the Italian giallo. Head over to Exquisite Terror to read my full review .

2014 Dir. Melanie Light The Herd is an unshirkingly brutal, vegan-minded short which serves as a chilling metaphor for the inhumane treatment of cattle at the hands of the dairy industry. Hundreds of millions of these sentient creatures suffer and die every year as their bodies are treated like machines. Forcefully impregnated so they produce milk, they are pumped full of growth hormones to produce unnaturally large quantities of milk, and antibiotics to combat constant mastitis infections. When they are no longer able to lactate, they are destroyed. The Herd substitutes women for cattle and subjects them to the same horrendous processes as the average dairy cow as it delves into the everyday horrors of the dairy industry… Head over to Exquisite Terror to read my full review .

2014 Dirs. Jen & Sylvia Soska Slasher films are infamous for instigating a seemingly unending chain of sequels. Cynically speaking, slasher sequels are generally inferior titles (though there are exceptions) that simply rehash the plot of the original in a desperate bid to capitalise on its success. Speaking as the owner of various slasher franchise boxsets, some sequels can of course surpass expectations and actually enhance the impact of the original, fleshing out characters, exploring back stories and expanding mythos. Of all the slasher films you’d expect to spawn a sequel - and a rather belated one at that - See No Evil  (2006) probably wouldn’t be high on your list. A conventional, if rather unremarkable affair, it featured WWE star Kane (Glen Jacobs) as a reclusive psychopath brutally murdering a group of young offenders who, as part of their community service, are sent to clean up the old abandoned hotel he resides in. While commercially successful, it was essen...

2014 Dirs. Taika Waititi and Jemaine Clement A documentary crew follows the bemusing exploits of a group of house-sharing vampires in this charming, oddly heart-warming comedy-horror from New Zealanders Taika Waititi and Jemaine Clement. From arguing over the cleaning rota and attempting to gain entry to the most hip and happening nightspots, to deciding what should be done about the dead vampire hunter in the basement, the utter banality of the situations the misfits find themselves in, renders their attempts to integrate with the outside world infectiously humorous. Head over to Exquisite Terror to read my full review . And remember, "We're werewolves, not swearwolves!"