Argento book update

March looks set to be a good month for fans of Dario Argento. My book, an introductory guide to his film work, is due out on the 25th. It examines his entire output to date: from his earlier gialli such as The Animal Trilogy and Deep Red, through his elaborately gothic fairytales Suspiria and Inferno, right up to his more recent contributions to TV's Masters of Horror, the conclusion of his Three Mothers trilogy, Mother of Tears, and his latest thriller, Giallo. I also look at his work as producer, including titles such as George A. Romero's Dawn of the Dead, Lamberto Bava's Demons and Michele Soavi's The Church.

This month also sees the publication of a new edition of author and film critic Maitland McDonagh's seminal book, Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento. I recently chatted to Maitland about the new edition and her love of Argento films. Stay tuned for my interview with her, which I'll post later in the month.

Stay tuned also for my interview with filmmakers Hélène Cattet and Bruno Forzani, whose debut feature Amer ('Bitter'), a heady, mesmerizing film, is heavily influenced by the work of Argento and the dazzling Italian gialli of the Seventies.

As if all that isn't enough, Arrow Video are releasing several Argento titles to DVD this month - all with a multitude of exclusive special features.

In the meantime why not swing by here and get yourself in the mood by generating your very own giallo film titles and plot synopses with a DIY Giallo Generator kit.

The Ash Tree

1975 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, The Ash Tree was the last of several MR James adaptations directed by Lawrence Gordon Clark. Written for television by David Rudkin, It stars Edward Petherbridge in the dual role of Sir Richard, an 18th century aristocrat who inherits the vast estate of his late uncle, and of Sir Matthew, his 17th century ancestor whose role in local witch trials, and the death of Ann Mothersole (Barbara Ewing), haunts Sir Richard. With a slim running time (just over 30 minutes) The Ash Tree is one of the shortest entries in the series, but it is also one of the densest. The amount of detail and information packed in, without compromising or diluting the impact of the source material, is admirable. Clarke manages to convey events and flashbacks by utilising an interesting narrative structure and some ...

Mandrake (2022)

Mandrake tells of probation officer Cathy Madden (Deirdre Mullins), who is assigned to help with the rehabilitation of recently released ‘Bloody’ Mary Laidlaw (Derbhle Crotty), who had been incarcerated years prior for the murder of her abusive husband. Rumours have long swirled in the local area concerning Mary’s dabbling in witchcraft and involvement in cases of missing children. No sooner has she been released, than the bodies of several local children are found in the woods near her farmhouse. As Cathy and local police delve deeper, the veil between real and imagined starts to fray and Cathy is drawn into a dark world of occult ritualism and blood sacrifice. Directed by Lynne Davison and written by Matt Harvey, Mandrake is a delicious slice of witchy, Northern Irish folk horror, dripping with atmosphere and arcane lore. While Irish horror is having a moment right now, with acclaimed titles such as Aislinn Clarke’s Fréwaka and Kate Dolan’s You Are Not My Mother mining rich and cr...

Kensal Green Cemetery

During a recent visit to London, a friend and I decided to explore Kensal Green Cemetery in the west of the city. Founded as the General Cemetery of All Souls by barrister George Frederick Carden in 1833, Kensal Green was inspired by the garden-style cemetery of Pere-Lachaises in Paris. Comprised of 72 acres of beautiful grounds, it was not only the first commercial cemetery in London, but also the first of the ‘Magnificent Seven’ garden-style cemeteries established to house the dead of an ever-increasing population. Campaigners for burial reform were in favour of “detached cemeteries for the metropolis” and in 1832 Parliament passed a bill that led to the formation of the General Cemetery Company to oversee appropriate measures and procedures concerning “the interment of the dead.” The company purchased land for the establishment of Kensal Green in 1831 and held a competition in order to select an appropriate designer. Among the prerequisites in the brief provided to entrants, we...

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