Book update/Ask Argento

My book Dario Argento (Kamera Books) hits shelves throughout the UK today! You can of course purchase it online from or - it's even on ebay - but it's always good to support your local bookshop. The book should be available in the States in May. 

Here's the blurb:

The stylistic and bloody excesses of the films of Dario Argento are instantly recognisable. Vivid, baroque and nightmarish, his films lock violent deaths in a twisted embrace with an almost sexual beauty. Narrative and logic are often lost in a constant bombardment of atmosphere, technical mastery and provocative imagery. It's a body of work which deals explicitly with death and violence, all the while revelling in perversely alluring stylistics and shot through with an unflinching intensity.

Setting the tone with earlier gialli such as The Animal Trilogy and Deep Red, Argento has steadily pushed the boundaries; through his elaborately gothic fairytales Suspiria and Inferno, right up to his more recent contributions to TV's Masters of Horror compendium and the conclusion of his Three Mothers trilogy, Mother of Tears: The Third Mother. Along the way, his prowling camera work, pounding scores and stylistic bloodshed have only gained in intensity and opulence.

This Kamera Book examines his entire output. Hailed as one of horror cinemas most significant pioneers and the twentieth century's major masters of the macabre, Argento continues to create inimitable and feverishly violent films with a level of artistry rarely seen in horror films. His high profile and mastery of the genre is confirmed with his role as producer on celebrated classics such as George A. Romero's Dawn of the Dead and Lamberto Bava's Demons. His work has influenced the likes of Quentin Tarantino, John Carpenter and Martin Scorsese, to name but a few.

ALSO!

Thanks to Francesca Brazzorotto at Oldcastle Books, I've been lucky enough to be granted a quick interview with Dario Argento himself via Skype on 9th April! If anyone has any questions they'd like me to put to him, feel free to leave them here and if I have time (I have one or two of my own!) I will be glad to. Thanks again Francesca. Stay tuned for the interview, which I will be posting here.

Popular posts from this blog

Whistle and I’ll Come to You (2010)

Image
Dir. Andy de Emmony After placing his senile wife in a care home, retired astronomer James Parkin (John Hurt) heads for the coast to revisit their ‘old haunts’, including the now out-of-season hotel they honeymooned in. By day he is stalked along the windswept beaches by a spectral figure dressed in white, and by night he is terrorised by strange sounds and someone, or something, attempting to enter his room… In the 2000s BBC4 attempted to reignite the old Ghost Story at Christmas tradition by adapting MR James’s A View from a Hill (2005) and Number 13 (2006). This series was seemingly short lived though, as their next outing wasn’t until 2010, and an unusual reinterpretation of James’s classic chiller Oh Whistle and I’ll Come to You, My Lad . While de Emmony’s direction captures the atmosphere and tone of James very well, this film differs significantly from other adaptations, including Jonathan Miller’s supremely unsettling 1968 take . Neil Cross’s screenplay only incorpo
Read more

Caveat (2020)

Image
Isaac, a brooding drifter suffering from memory loss, agrees to look after Olga, the niece of his acquaintance Moe. A troubled woman prone to bouts of catatonia, Olga lives in an old, ramshackle house on an isolated island in the middle of a dark lake. Isaac agrees to wear a chained harness that prevents him from going into certain rooms. He gradually comes to learn of the unsettling history of the house and the unquiet dead it harbours within its walls... Written and directed by Damian McCarthy,  Caveat  is steeped in the Gothic tradition. With distinct echoes of the work of Edgar Allan Poe, it is ripe with a lingering atmosphere of morbidity and decay. McCarthy's screenplay toys with themes such as psychological rot, dark family secrets, and the aftermath of unspeakable violence and cruelty. The story unfolds within the creepy confines of the lonely, mouldy house, with myriad forbidden rooms, hidden passageways and concealed bloody secrets. The house itself is cut off from civili
Read more

Otherworldly Encounters on Halloween

Image
Oíche Shamhna shona duit. To celebrate All Hallow’s Eve, my dear friend Marie – a writer and folklorist based in Missouri - has put together a podcast exploring first-hand paranormal experiences that took place on Halloween. The stories and accounts are shared from r/Paranormal , The Fairy Census , and the Dúchas Schools Collection (part of the National Folklore Collection UCD Digitization Project).  Between the stories, one of which is read by yours truly, Marie explores some of the history and folklore surrounding the traditions of Halloween, or Samhein, as it was known in Ireland where it originates from. An important festival in the ancient Celtic calendar to mark the end of summer, Samhein (Irish for November), is the night when the veil between the worlds of the living and the dead becomes thinnest, allowing souls of the deceased to pass through into our world and roam freely. The night we call Halloween in English, is Oíche Shamhna: literally Samhain (November) Eve. To listen t
Read more