Someone’s Knocking At The Door
2009Dir. Chad Ferrin
A group of young medical students experiment with bizarre pharmaceutical research drugs while listening to therapy session tapes from the Seventies. On the tapes are interviews with homicidal couple John and Wilma Hopper (Ezra Buzzington and Elina Madison) - psychotic sexual deviants who claimed to be possessed by demons. Soon the group of students are pursued and essentially raped to death by the shape-shifting Hoppers and their monstrous genitalia.
If the above synopsis sounds pretty fucked up to you, you’re not alone! Someone’s Knocking at the Door is part of a breed of horror flicks in which the source of the horror stems from the human body: monstrous, warped and shockingly mutated bodies featuring all manner of grotesque orifices and ghoulish appendages. Troma graduate Ferrins' ups the absurd factor and the ludicrous, comedic tone, riffing on the likes of Frank Henenlotter's Bad Biology and, well, most of David Cronenberg's back catalogue.
While those films focused on 'body horror' and followed events from the perspective of a confused and hapless protagonist (whose body is raging and changing out of control), Someone’s Knocking at the Door approaches similar body-horror subject matter from a different angle. Boasting graphic and startling imagery rather akin to the outrageous viscera of Argento’s Mother of Tears and Jenifer, it features a couple of sexually deviant, shape-shifting psychos who murder their victims with their deadly libidos and monstrous genitalia. The source of onscreen horror in this movie is derived from the depiction of 'aberrant' bodies: ravenous, toothed vaginas, and freakishly large penises. Ferrins goes all out to shock and horrify, combining outrageous imagery and filthy humour to grotesque effect.
The ‘sex kills’ mantra of so many slasher movies throughout the years is taken to its shockingly graphic conclusion in this film. While not an exploration of the horror of the human body and what happens when it begins to change into something else (a la adolescence or lycanthropy), Someone‘s Knocking at the Door can still be considered a variant of the ‘body-horror’ sub-genre. Opening with a disturbing and graphic scene in which medical student Ray (Jordan Lawson) is raped and murdered by a shapeshifting man with a clownishly large penis, the nasty and bizarre tone is set. SKATD doesn’t hold back when it comes to eye-popping SFX. Unfolding as a deliriously throwback to 70s grindhouse splatter movies, it exhibits a hallucinatory and twistedly raw feel - aided by its low budget - as all manner of carnal and abhorrent sexual acts culminate in bloody death. As well as boasting plenty of its own ‘what the fuck!?’ moments, the film also finds time to slyly reference a few beloved titles such as Evil Dead, Jacob's Ladder, Teeth, Suspiria and Session 9.
A number of scenes prove particularly shocking, especially the scene in which Meg (Andrea Rueda) is pursued through florescent-lit hospital corridors by the very naked and grossly obese Fuller (Terence Z. Stamp) who appears to have been resurrected from the dead complete with a grotesquely gigantic waggling penis. To add to the nightmarish nature of this scene, Ferrin accompanies it with an up-tempo and twisted pop song. Also rather shocking is the scene in which Annie (Silvia Spross) is chased through the woods after being abandoned by her boyfriend, only to be confronted by Wilma Hopper and her vagina dentata. All of the furiously charged murder sequences possess a certain odd quality that make one question how seriously they’re supposed to be taking proceedings. Not very, me thinks. With every attack, and glimpse of grotesque genitalia, proceedings become ever more ludicrous.
Blurring the boundaries between dreams and reality, the audience is also constantly thrown off balance by increasingly deranged events and a warped perspective that is never really reliable - all the way to the ‘twist’ ending. Noah Segan (who also served as producer) heads up a cast including cameoing horror stalwarts such as Joe Pilato and Lew Temple, while Ferrin directs events with deranged glee. The off kilter, feverish score is courtesy of Brad Joseph Breeck and it incorporates, amongst other things, warped industrial soundscapes which add to the undeniable splatter-punk ethos of proceedings.
Someone’s Knocking At The Door is set to premiere in Ireland at the 2nd Yellow Fever Independent Film Festival in Belfast, Saturday 28th August.
