Behind the Couch

1985 Dir. Stuart Gordon When the eccentric Herbert West (a manic Jeffrey Combs) arrives at Miskatonic University, Arkham, he and a fellow medical student become embroiled in strange experiments to reanimate dead tissue. With horrific consequences. Based on H.P. Lovecraft’s short story Herbert West – Reanimator , Stuart Gordon’s film is perhaps one of the most successful adaptations of the author’s work, and it triggered a resurgence of cinematic interest in the work of Lovecraft throughout the 80s and 90s. The film is an outrageous blend of splattery special effects, pseudo-sci-fi concepts, comic violence, pitch black humour and vivid horror. At times it boasts a similar madcap tone to Sam Raimi’s earlier splat-stick classic, Evil Dead , as Dr West’s increasingly desperate and ludicrous attempts to reanimate corpses reach feverish intensity. The idea to make Re-Animator stemmed from Gordon’s belief that there were not enough Frankensteinian stories. He believed pop-culture had...

1963 Dir. Herschell Gordon Lewis A bushy-eyebrowed caterer messily murders various women in order to resurrect an ancient Egyptian goddess. Several inept detectives attempt to track him down and put a stop to his nefarious deeds.  Produced by exploitation guru David F. Friedman, and economically directed by Herschell Gordon Lewis, Blood Feast abounds with an impish glee and carefree abandon. With not a shred of decency or taste in sight, inconveniences such as plot and story are flung aside in favour of shoddily staged scenes of carnage and makeshift mayhem. Hurrah! This title holds the dubious honour of being the first ever ‘gore movie’ or ‘splatter film’ – films centred around gory special effects and scenes of depravity and sadism. Back in the early Sixties all this was new and subversive and naturally horror audiences thirstily lapped it up as they clambered to catch a glimpse of what would become a milestone in schlock cinema. Anyone who has seen Blood Feast will know...