Showing posts from September, 2014


Directed by Tobe Hooper and produced by Steven Spielberg, Poltergeist (1982) is a slick, big budgeted, special effects laden extravaganza. It is also a well-written film – now considered a classic - with a sly commentary on the corrupting influence of television, the tribulations of suburban life, colonialism, the ill-treatment of Native Americans, the break-down of the nuclear family unit, and the damaging excesses of capitalism and consumerism. The influence of Spielberg is overwhelmingly evident in the film’s representation of the all American family, and their pursuit of the American dream. With Hooper in the director’s chair however, these moments appear almost satirical, and cracks soon begin to appear. To the central family’s horror, they realise their white, middle-class American dream is built upon the graves of indigenous people, and their suburban ideal crumbles when vengeful spirits abduct their young daughter, Carol-Anne... Head over to Eye for Film to read my ful

The Shining

Stanley Kubrick’s The Shining (1980) needs little introduction. Adapted from Stephen King’s chilling bestseller, it is an undisputed masterpiece of horror cinema, featuring a bleak atmosphere, striking visuals, frenzied performances, and an utterly unshakable, creeping sense of dread. It has long been an absolute favourite of mine, but I have always been somewhat hesitant to write a review of it; after all, what is there to say about it that hasn’t already been said? As there is indeed already so much to say, where on earth do you begin when just writing a straight-up review? An intimidating prospect to be sure, but it’s good to challenge yourself, isn’t it? With a little advice and much encouragement from the editor of Eye for Film (thank you Amber), I closed my eyes, opened my mind and took the plunge. Head over to Eye for Film to read my humble (and probably too gushing) take on The Shining , and the special features available on the Blu-ray it has just been released on