A city couple relocating to a home in the forest discover a commune on the neighbouring land is home to a cult of sasquatch worshippers harbouring sinister secrets...
1815. Ginger and Brigitte Fitzgerald, two orphaned teenaged sisters, seek refuge at an isolated trading fort in the snowy Canadian wilderness. They soon learn that the fort is under siege from werewolves lurking in the surrounding woods. After Ginger (Katharine Isabelle) is attacked and bitten by the lycanthropic son of the fort's factor, she begins to change. Her sister Brigitte (Emily Perkins) seeks a cure while trying to keep them both safe from the men in the fort, whose mistrust of the sisters is stoked by a bloodthirsty, wrathful minister. Directed by Grant Harvey, Ginger Snaps Back is a period piece (no pun intended) and a prequel to Ginger Snaps (2000), the story of a young woman who, on the night she first menstruates, is attacked by a werewolf and begins to transform into a monster. It was followed by Ginger Snaps Unleashed (2004), which follows the plight of Ginger's sister, Brigitte, as she struggles to find a cure for her own latent lycanthropy. Written by Chri
Armchair Thriller was a British television series, broadcast on ITV by Thames in 1978 and 1980. It was essentially a horror/supernatural orientated anthology series that specialised in adapting various spooky novels and stories. It consisted of two weekly 25 minute episodes, usually screened at 8pm on a Tuesday and Thursday evening. I’m too young to remember it, but a recent conversation with several ( ever so slightly) older friends alerted me to one particular episode of the series entitled Quiet as a Nun … Adapted from the 1977 novel of the same name by Antonia Fraser, Quiet as a Nun was a six part dramatisation revolving around Fraser's regular sleuth Jemima Shore, who revisits the convent where she was schooled following the mysterious death of one of the nuns. The nun, Sister Miriam, was a former friend of Jemima’s and she apparently starved herself to death in a ruined tower in the grounds of the convent. Jemima soon learns from the girls at the convent about a myste
1982 Dir. Dario Argento After a detour into witchy Gothic horror with Suspiria (1977) and Inferno (1980), Tenebrae marked director Dario Argento's return to the gialli which he helped popularise in the early Seventies. Based on the filmmaker’s own experiences of an unhinged fan obsessed with his work, Tenebrae is generally regarded as one of his finest films. It follows the story of American mystery-thriller novelist Peter Neal, whose arrival in Rome to promote his latest title coincides with a series of violent murders – the perpetrator of which claims to have been inspired by Neal’s latest book. When the author himself begins to receive death threats from the killer he must use his literary know-how to snare the slasher before he becomes the next victim. Unfolding as a cunningly reflexive critique of the Italian giallo, violence in cinema, and indeed Dario Argento’s own distinct body of work, Tenebrae directly addresses the misogyny he has often been accused of through
Comments
I like the premise. Could definitely get behind a sasquatch-worshipping forest cult, and you've got to love a 90 minute run time!!