The Ghost Galleon

Dir. Amando de Ossorio

Ghost Ship of the Blind Dead
Horror of the Zombies
Ship of Zombies
The Blind Dead 3

The Blind Dead return to hunt tender flesh on the high sea!

Two models are out at sea in a new speedboat as part of a publicity stunt. Don’t ask, just go with it. Their boat is surrounded by a thick fog and a seemingly abandoned ship drifts out of nowhere. Radioing for help the models soon decide to explore the vessel and, naturally enough, mysteriously disappear! Their belatedly concerned colleagues set out to find them; but not before consulting with a professor who believes that the ghostly ship contains the living-dead bodies of the Templar Knights! When our intrepid and fashionably dressed rescuers board the ominous ship, they too soon fall prey to the reanimated and blood-thirsty corpses of the Templars… Who are apparently just chilling out on a cruise.

Following on from the Tombs of the Blind Dead and Return of the Evil Dead, Amando de Ossorio quickly churned out a third instalment of the Blind Dead films - The Ghost Galleon. The nefarious group of living-dead Templar Knights once again return to menace those unfortunate to encounter them. The Templars, medieval knights put to death centuries ago for their barbaric ways and love of all things satanic, rise from the dead as mummified skeletal beings, shrouded in their bloodied and soiled hooded garbs, to drink the blood of the living. As a result of having their eyes plucked from their hanging bodies by crows, they rely on sound to track their victims.

Setting this film onboard a ghost ship seemed like a stroke of genius on Ossorio’s part. The potential for creating scenes of terror and claustrophobic tension is rife and the sight of the mummified Templars shuffling around the creepy, fog enshrouded ship are disturbingly realised. Unfortunately though, high hopes for an effective fright-fest should be abandoned, as The Ghost Galleon is by far the weakest film in the Blind Dead series. While the other films in the series aren’t exactly shining paradigms of great story-telling, acting or writing (though they make up for that with effectively realised creepy atmospheres and haunting visuals), they are flawless compared to this.

The characters in this are some of the worst from the series. None are in any way sympathetic and their resemblance to the Scooby gang is just ridiculous: all turtle necks, stripy polyester flares and psychedelic neck-scarves. You dig it? Ridiculous dialogue delivered in either the flattest way imaginable or in the throws of overacting, ensures a distinct lack of tension. Much of the running time consists of models wandering around the vast and creaking vessel in their underwear, or delivering seemingly endless exposition. And this is all before the characters even come to the conclusion that the ship exists in a parallel dimension…

STARE! As characters split up to vaguely search the ship for their friends. GASP! As they chew the scenery. BE AWE STRUCK! At their sheer incompetence. SCREAM! At their inability to use stairs. The overacting of the panic stricken victims reduces tension to nearly nil. Their feeble protestations go on a touch too long. One of the most protracted (and mundane) death scenes in recent memory unfolds as one clumsy character blunders and flails around making Tor Johnson look nuanced. She just can't seem to master the concept of doors or stairs as she bumps into everything around her before being pulled, rather gently, back down beneath the deck by extremely fake arms. Like most of the victims in the Blind Dead series, this lot just can’t get to grips with basic stuff like moving out of the way, or holding onto something to pull them away from the perpetually grasping claws of the knights. Locking doors proves an impossible task too.

The spectral galleon itself is incredibly creepy. However, nothing can disguise the fact that many shots of the ghostly ship are of a model. Ossorio does at least try to distract from this by filming it from obscure angles and from under water. One well executed aspect of the film is its sound design. The noise of the ship as it constantly moans and creaks really adds menace and a foreboding feel to proceedings. The misty and dank sets full of eerie lighting and rumbling noises, and the sight of the Templars emerging from the crates in the hull of the ship, are as nightmarish as anything in the previous films. The scenes when the Templars rise up en masse from the depths of the ship are also effectively ominous. As with Return of the Evil Dead, The Ghost Galleon also appears to have had a major influence on John Carpenter’s The Fog (1980) with its maritime spookiness - a theme Ossorio would continue in his next Blind Dead film, Night of the Seagulls.

When the remaining survivors eventually make it back to land, with the help of a plank of wood, they collapse on the beach and erm, go to sleep! Before fleeing the ship, they threw all the coffins overboard (which is as tedious as it sounds) and we are eventually treated to some magnificent shots of the blind dead emerging from the sea and lumbering onto shore; sea water streaming from their empty orbs. A striking and pretty chilling final shot ensures the film closes on a distinctly bleak note. 

Without a doubt the weakest entry in the series, The Ghost Galleon, with its buckets of eerie atmosphere and ghoulish imagery, could have been a really shuddersome film. However, with no plot to bolster the spine-tingling visuals or add anything that even remotely resembles emotional impact, the resulting film is a wee bit of a let down. As dreadful as it is, the combination of terrible acting, guffawing dialogue, shoddy direction and all-round laziness actually elevates The Ghost Galleon into the sublime realms of ‘so bad, it’s good.’ Enjoy with a generous glass of wine… Or five.

Now excuse me while I go off and learn how to do 'all the important things, like fix my hair.'


Popular posts from this blog

The Haunting of Black Wood

Beware the Autumn People...

Whistle and I’ll Come to You (2010)