Skip to main content

RIP James Herbert

British horror author James Herbert, whose blood-curdling novels include The Rats and The Fog, passed away last night at the age of 69. The writer died at his home in Sussex, and is survived by is wife and three daughters. The cause of death has yet to be disclosed.

Herbert exploded onto the horror scene in 1974 with his debut novel The Rats - the nightmarish tale of mutant, flesh-eating rats and the bloody havoc they wreck throughout a squalidly depicted London. It sold 100,000 copies in the two weeks after it was published. His follow up, The Fog (completely unrelated to the John Carpenter film) told of a mysterious fog that spreads across Britain mutating those who encounter it into homicidal maniacs. Often bleak and downbeat, Herbert’s stories were uncompromising in their depiction of the violent demise of humankind in the face of unspeakable evil - often of an environmentally created bent.

Born in London in 1943, Herbert studied graphic design at college before going on to forge a career in advertising. He began his first novel, The Rats, at the age of 28, completing it within 10 months. With a background in graphic design and advertising, the author usually designed his own book covers. The Rats was one of four Herbert novels adapted for the big screen, along with The Survivor, Fluke and Haunted. His novel, The Secret Of Crickley Hall - an unsettling ghost story in the same vein as classic MR James - was adapted by the BBC and broadcast last December.

I first came across Herbert’s work when I was about 14 or 15. Having just read Stephen King’s Carrie and Misery (and feeling the need to further prepare myself for Blatty's The Exorcist), I thought I’d investigate Herbert, whose titles weighed heavily upon the shelves of my local library. With increasing caution I turned the pages of The Dark and The Fog, becoming more and more disturbed with every grisly line my wide eyes skittered across; while also becoming more and more aware of the fact that I just couldn’t stop reading… Some of the ghastly things I read have remained with me ever since.

Herbert's last novel, Ash, was published last year.
Herbert’s 23 novels - published in more than 30 languages - have sold over 54 million copies worldwide, and the legacy he leaves is a formidable one. According to the BBC, his editor of ten years, Jeremy Trevathan, described the writer as “One of the keystone authors in a genre that had its heyday in the 1970s and 1980s. It's a true testament to his writing and his enduring creativity that his books continued to be huge bestsellers right up until his death. He has the rare distinction that his novels were considered classics of the genre within his lifetime.”

Popular posts from this blog

The Ash Tree

1975 Dir. Lawrence Gordon Clark Part of the BBC’s annual series A Ghost Story for Christmas , which ran from 1971 to 1978 and featured some of the small screen’s most chilling moments, The Ash Tree was the last of several MR James adaptations directed by Lawrence Gordon Clark. Written for television by David Rudkin, It stars Edward Petherbridge in the dual role of Sir Richard, an 18th century aristocrat who inherits the vast estate of his late uncle, and of Sir Matthew, his 17th century ancestor whose role in local witch trials, and the death of Ann Mothersole (Barbara Ewing), haunts Sir Richard.  With a slim running time (just over 30 minutes) The Ash Tree is one of the shortest entries in the series, but it is also one of the densest. The amount of detail and information packed in, without compromising or diluting the impact of the source material, is admirable. Clarke manages to convey events and flashbacks by utilising an interesting narrative structure and some ...

Mandrake (2022)

Mandrake tells of probation officer Cathy Madden (Deirdre Mullins), who is assigned to help with the rehabilitation of recently released ‘Bloody’ Mary Laidlaw (Derbhle Crotty), who had been incarcerated years prior for the murder of her abusive husband. Rumours have long swirled in the local area concerning Mary’s dabbling in witchcraft and involvement in cases of missing children. No sooner has she been released, than the bodies of several local children are found in the woods near her farmhouse. As Cathy and local police delve deeper, the veil between real and imagined starts to fray and Cathy is drawn into a dark world of occult ritualism and blood sacrifice. Directed by Lynne Davison and written by Matt Harvey, Mandrake is a delicious slice of witchy, Northern Irish folk horror, dripping with atmosphere and arcane lore. While Irish horror is having a moment right now, with acclaimed titles such as Aislinn Clarke’s Fréwaka and Kate Dolan’s You Are Not My Mother mining rich and cr...

Kensal Green Cemetery

During a recent visit to London, a friend and I decided to explore Kensal Green Cemetery in the west of the city. Founded as the General Cemetery of All Souls by barrister George Frederick Carden in 1833, Kensal Green was inspired by the garden-style cemetery of Pere-Lachaises in Paris. Comprised of 72 acres of beautiful grounds, it was not only the first commercial cemetery in London, but also the first of the ‘Magnificent Seven’ garden-style cemeteries established to house the dead of an ever-increasing population. Campaigners for burial reform were in favour of “detached cemeteries for the metropolis” and in 1832 Parliament passed a bill that led to the formation of the General Cemetery Company to oversee appropriate measures and procedures concerning “the interment of the dead.” The company purchased land for the establishment of Kensal Green in 1831 and held a competition in order to select an appropriate designer. Among the prerequisites in the brief provided to entrants, we...