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The Knackery

2009
Dir. George Clarke

Six contestants.
One million quid.
And a shitload of zombies.

A group of contestants prepare to fight to the death on extreme reality TV show The Knackery. With a reward of £1 million for the last player left standing, the stakes are high. They are raised even higher when a horde of flesh hungry, genetically modified zombies are unleashed to liven things up a bit…

Building on the reputation they cultivated for themselves with Battle of the Bone, Yellow Fever Productions have returned to the stripped back, no frills and no holds barred approach to filmmaking that made their debut feature so appealing.
Shot in five weeks on a budget of roughly £100, the first cut of The Knackery premiered at the Fellow Fever Independent Film Festival in Belfast last weekend.

A ‘knacker’ is someone who slaughters worn-out livestock and sells their flesh, bones and hides. The Knackery is a gruesome reality TV show in which contestants must battle it out to the death in the name of entertainment. With this grimy premise of ‘people-as-cattle’, The Knackery evokes memories of early Tobe Hooper in its unrelenting vision of bloody chaos and claustrophobic mayhem. The setting for The Knackery is, appropriately enough, an abandoned knackers yard and warehouse, complete with CCTV cameras monitoring the unfortunate contestants' every move within the vast and creepy space. 13 minutes after contestants arrive to fight to the death, ‘the knackers’ - genetically modified zombies - are released to keep the players on their toes. Kitted out in white boiler suits the knackers are designed for one purpose only: to tear the flesh off the living and suck them drier than a corpses mouth.


Unspooling as a vicious satire on reality TV, The Knackery poses the pointed question - How far will reality TV go to entertain its audiences? This concept lingers throughout The Knackery, as the contestants are unaware of the very real danger they are in, with the show's sinister executives ensuring most of the carnage is kept off screen… Writer/director Clarke plays an undercover reporter attempting to expose the corruption and evil behind the show. If he is able to stay alive long enough to do so. The pitch black humour and caustic parodying of reality TV echoes the likes of Series 7: The Contenders, Dead Set and The Running Man; tongue in cheek all the way. The show’s unhinged host is portrayed by Alan Crawford with deranged glee. His performance recalls the likes of similar horror hosts/personalities pedalling low grade and questionable entertainment, such as Coffin Joe, Captain Spaulding and Dr Madblood. His wacked out, way-too-jolly presentation has a creepy menace at times; particularly when events on the show become increasingly grim.


The immediacy of the handheld camera work brings us right into the midst of the ensuing mayhem and bloodshed as Clarke’s guerrilla shooting style seeps through into the grainy aesthetic of the film. As the story builds to a crazed climax, the already kinetic pace is whipped up into a further salivating frenzy. Quietly creepy moments come when we see events from the footage recorded by the hidden cameras as characters silently explore their surroundings with caution, often seen walking out of shot, only to run back into it and out again as they are pursued by the marauding and foaming-mouthed zombies.

The splashy special effects courtesy of Roddy Conlon are impressive and the fight choreography is handled well, with many of the actors performing their own stunts. Written in one night, the plot may be thin, but The Knackery compensates with its relentless gung-ho verve. The ethos of YFP – to do whatever it takes to realise their vision, for as much or as little money as they can scrape together – and most importantly, to have fun whilst they do it – shines through. What the film lacks due to budgetary restraint, it makes up for with gritty panache, dogged determination and free-spirited approach to indie filmmaking.
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