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Red Canyon

2008
Dir. Giovanni Rodriquez

Several years after experiencing a traumatic incident, siblings Regina and Devon, accompanied by a few of their friends, return to their hometown to sell off their late mother’s house. Ever since the incident, Regina has experienced flashbacks and is deeply traumatised. In order to face her fears, she returns to the nearby cave where the horror first began. Little does she know, what she discovers there will only worsen her deep-rooted terror, as a brutal assailant begins to shoot, slice, chop and stab his way through her friends…

At the heart of Red Canyon is an interesting premise. The idea of returning to a place from childhood that was the source of great trauma is one brimming with dark promise. Intrigue is established early on, particularly through Regina’s flashbacks scattered throughout the narrative, and while Rodriquez’s direction exhibits a number of deft moments, the befuddled screenplay tends to detract from what should be a compelling momentum. The story plods on in fits and bursts, tension is never sustained for long, and eventually things just get too muddled. What should have been a powerful revelation that cuts to the core and disarms with its unveiling, just sort of happens without any impact.

The characters are never really given much to do, and they just seem to run around from one place to the next, getting killed as they go. No one is particularly likeable, aside from perhaps Terra (Katie Maguire), and even Regina (Christine Lakin) appears whiny and selfish. Norman Reedus plays a more unappealing version of his character in The Walking Dead, sauntering through proceedings, swigging whiskey and shooting stuff.

A couple of well executed chase scenes – including one with a ravenous dog – inject some life into proceedings, and one or two creepy moments hint at ambiguity and intrigue; are the siblings carrying out the grisly deeds? Perhaps the trauma they experienced all those years ago has twisted them into killers. Some of the night scenes in the desert are highly atmospheric and there are a couple of well-timed scares. Robert Filomena’s moody guitar based score and Sonnel Velazquez’s cinematography enhance the lonesome beauty of the landscape and desolate setting, but the stark isolation the friends find themselves in is never exploited as much as it could be.

More often than not, the muddled narrative renders it an uneven and eventually tedious affair. The downbeat and thoroughly depressing ending just works to rub salt in the wounds, rather than create a dramatic sting. Don’t get me wrong; I can appreciate downbeat endings if they wield enough power to haunt the viewer. Films such as The Mist created a real impact with an astoundingly bleak denouement thanks to good writing, engaging stories and characters to care about - Red Canyon doesn’t quite cut it. This is a shame, because at its core is a genuinely nasty idea which lacks the powerful execution to make it truly effective.

Red Canyon (cert. 15) will be released on DVD by Chelsea Films on 23rd May 2011. Special Features include: Trailer; Dolby Digital 5.1 and Stereo 2.0.
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